Word: clavier
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Dates: during 1890-1899
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EDWARD E. KELSEY, Teacher of Piano and Virgil Practice Clavier, Boston Conservatory of Music, will receive pupils at his residence, Suite 2, The Ellery, 1590 Cambridge street. Most recent developments of the Clavier Method thoroughly learned by attendance at the teachers' summer Normal School in N. Y. City this last summer. At home from 8 to 9 Monday evenings to explain the Clavier and the Method to those desiring to investigate it. Evening Sight-Singing Classes (Tonic Sol-fa method and staff combined) formed for male voices, including voice training by latest scientific method. What is known...
EDWARD E. KELSEY, Teacher of Piano and Virgil Practice Clavier, Boston Conservatory of Music, will receive pupils at his residence, Suite 2, The Ellery, 1590 Cambridge street. Most recent developments of the ClavierMethod thoroughly learned by attendance at the teachers' summer Normal School in N. Y. City this last summer. At home from 8 to 9 Monday evenings to explain the Clavier and the Method to those desiring to investigate it. Evening Sight-Singing Classes (Tonic Sol-fa method and staff combined) formed for male voices, including voice training by latest scientific method. What is known of the old Italian...
EDWARD E. KELSEY, Teacher of Piano and Virgil Practice Clavier, Boston Conservatory of Music, will receive pupils at his residence, Suite 2, The Ellery, 1590 Cambridge street. Most recent developments of the ClavierMethod thoroughly learned by attendance at the teachers' summer Normal School in N. Y. City this last summer. At home from 8 to 9 Monday evenings to explain the Clavier and the Method to those desiring to investigate it. Evening Sight-Singing Classes (Tonic Sol-fa method and staff combined) formed for male voices, including voice training by latest scientific method. What is known of the old Italian...
After some slight deviations from his main theme, in which he explained the bowed clavier, Mr. Krehbiel gave a brief history and explanation of the pianoforte. This instrument was invented almost simultaneously, by three men of different nationalities, about 1715. It was the outcome of the impatience which was felt at the limitations of the other instruments, in which no variation of volume could be secured. After the lecture, Mr. Arthur Freidheim played on a Steinway Concert Grand a number of pieces by Chopin and Liszt, showing the remarkable superiority of the pianoforte over its predecessors, in the matter...