Word: clavier
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Dates: during 1950-1959
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...settled in Lakeville, Conn., with Elsa Schumicke and Denise Restout, who had been her constant companions for more than 25 years. There she concentrated on recording her interpretation of the old masters. Her recording of the 48 labyrinthine preludes and fugues of Bach's Well-Tempered Clavier is a modern classic. Landowska called it "my last will and testament." It was far from her last. At 76, but with the spirit of a sprite, the high priestess of the harpsichord turned once again to "my first love"-the piano, and to a second master-Mozart...
...absence of 20 years (she recorded Mozart's "Coronation" Concerto for the coronation of George VI in 1936). During part of that time she was engaged in her monumental harpsichord recording of the 48 rippling, finger-cracking preludes and fugues that constitute Bach's Well-Tempered Clavier, which she called "my last will and testament." When she was persuaded to leave a codicil to that will, she turned again to the piano ("my first love") and to Mozart. She sighs: "Mozart was my first nature-but Bach, too. Oh, how can I combine these two gentlemen?" In making...
Thus prattled Paris' Francois Baschet, 36, an enterprising fellow who has been spending his nights inventing instruments to give the listener something new: "A cello with an echo, an instrument that sounds like the human voice, a piano that weeps-an infernal clavier. If I make 21st century instruments for the 20th century, tant...
Kissable Age. Father Leopold Mozart was a musician-a violinist and court composer to the Archbishop of Salzburg. Even so, he thought it precocious that "Wolferl" at the age of three should "bawl with disappointment" when his small fingers struck a discord on the clavier. At four, Wolferl scribbled down his first clavier concerto; at five, before he had had a single violin lesson, he played second fiddle in a trio. "One need not have learnt in order to play second fiddle," he informed the grownups...
...Wagner and Mendelssohn wedding marches, originally written for the theater, and several Ave Marias, including Schubert's, originally a concert number; Verdi's, from the opera Otello; Mascagni's, based on the Cavalria Rusticana intermezzo; and Bach-Gounod's (the Bach original was a clavier prelude, later adapted by Gounod as a love song). Also banned: Oh, Promise Me, from De Koven's operetta Robin Hood; Because ("secular"); I Love You Truly ("profane...