Word: clawing
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Even dailies of medium circulation, least pinched by the cost-income claw, are finding it increasingly tough to stay in the black ink. In a study of a "typical" daily of 50,000 circulation. Editor & Publisher found revenue up 25.61% in the last decade, costs up 39.57%-and net profit down 58.24% (see chart...
...Imperialism's Vile Claw." The day Bolivia's 670 copies of TIME arrived by air, they were taken by special order straight to the palace of President Hernán Siles Zuazo, whose ambassador in Peru, getting the magazine a day earlier, had alerted him. Siles made the story the topic of a six-hour Cabinet session, then issued a statement blasting the remark as "damaging to the national honor" and "absolutely inadmissable." The statement gave the Bolivian public to understand that the remark had been put forth as a serious proposal...
...National Revolutionary Movement-and all the magazines were stolen. A day later two La Paz papers ran translations of the story, including the point that the remark was in jest, but the official government newspaper La Nación banner-lined: TIME, THE FINGERNAIL OF IMPERIALISM'S VILE CLAW, OFFENDS BOLIVIA. Next morning 2,000 blue-jeaned high school students marched through downtown La Paz chanting "Down with imperialism!" and "Bolivia will not be a Yankee colony...
...raring, tearing two-hour speech ostensibly addressed to the electorate of Moscow's Kalinin Constituency, Khrushchev forcefully reminded the world that he could claw as well as slap backs in raucous good fellowship. Angered by the discovery that Britain's Harold Macmillan had come to Moscow with no intention of repeating Neville Chamberlain's performance at Munich, Khrushchev flatly laid down his uncompromising terms on Germany, in such a way as to demonstrate that he was not interested in reasonable accommodations. In doing so, he also inflicted a historic humiliation on Macmillan and paraded his contempt...
...Unlike Callas, Tebaldi did not have to claw her way to the top: she was a success almost from the first time she opened her mouth professionally, and her career since has unfolded with a dreamlike simplicity. Her very serenity sometimes baffles colleagues who know the backstage thimblerigging that accompanies the rise to operatic fame. A shy woman who speaks almost no English and understands it imperfectly, Tebaldi rarely mixes with fellow artists. Nevertheless, she is almost universally liked and respected. One coworker, in a sincere but dubious compliment, insisted that she reminded him of "sheep and cows and beautiful...