Word: clays
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Dates: during 1990-1999
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...bitterness would seem plausible, Cohen comes off as a virginal 17-year-old who cannot hold her end of the powerful dialogue. She is unconvincing when delivering brutal lines like "You middle-class Black bastard. Forget your social-working mother for a few seconds and let's knock stomachs. Clay, you liver-lipped white...
...plausible amount of skepticism and reserve at the beginning, but waits too long to reveal hint of his inner rage. This results in some difficulties mustering up the emotional heat for his long monologue. Director Charles Guerrero has taken a different and interesting interpretation of Baraka's Clay: this Clay is pin-stripe suited, slightly effeminate, and it is hard to consider him physically threatening...
...other passengers' unwillingness to be involved seems largely realistic. At certain points, however, they seem too pointedly ignoring the crisis. When Lulu orders them to remove Clay's body, it is unclear whether they are frightened, apathetic, or collaborating with...
...production is not bad; McNeal plays a pretty good Clay and the tech works well to reflect the intense nature of the play. Cohen is a problem; without her strong character it is difficult to sustain the dialogue and action of the play. But the essential problem is that it's not great, which is disappointing considering Dutchman's potential...
...School football team is often seen with other members of Real Men at Red Sox and Patriots games, handing out leaflets titled "Ten Things Men Can Do to End Sexism and Male Violence Against Women" at Red Sox and Patriots Games and protesting offensive comedians such as Andrew Dice Clay. Enduring angry slurs such as "fucking fags" from men who refuse to take the leaflet at these sports events, he and his group seek to appeal to men's better instincts, to make them understand the difficulties of being a woman in a violent, male-dominated society. He is impatient...