Word: clays
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Dates: during 1990-1999
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...began, appropriately, in the afterglow of an Optimist club meeting in Lafayette, N.Y., on a Thursday night in the winter of 1972. Over a couple of beers, Doug Keller was telling fellow Optimist Clay Smith about an experiment one of his Syracuse University graduate students was doing. As part of Keller's graduate class in materials science, the student was trying out various chemicals to see if there was some agent that would allow drills to penetrate coal more easily. When he applied ammonia, explained Keller, the raw coal broke down into fine particles, separating the purer hydrocarbons from rock...
Since then, various attempts have been made to revive him, but none have really taken hold. The most recent, which may restore Canova to some popularity, is the sleeper of Venice's summer art season: a show of 152 drawings, clay models, plasters and finished marble carvings, borrowed from as far afield as St. Petersburg, handsomely installed in the period rooms of the Museo Correr on Piazza San Marco. It is 20 years since such a group of Canovas has been assembled in public...
Given the high finish of his marbles, the roughness of his terra-cotta models comes as a surprise. In the first heat of exploring a motif, Canova worked as quickly and directly, almost, as Rodin, squeezing and knifing the clay to slab out the shapes. On occasions, he could compress a remarkable charge of emotion into these little studies: in one of them, the curve of the long neck of Antigone weeping over her dead brothers has much the same shape and, in miniature, some of the same tragic force as the woman's head in Picasso's Guernica...
...other decade in the country's history. Last year alone, the U.S. absorbed 1.8 million foreigners. A majority of Americans, some 55%, want a moratorium on new arrivals, according to a Roper survey. "How many can we absorb in a time of recession and high unemployment?" argues Representative E. Clay Shaw, a Republican supporter of Bush's. "We've got to protect our shores, our people...
...these references would seem rather a heavy load for small clay objects to carry, but one of the virtues of Price's work is that it never seems pompous and only rarely trivial. Some of the time, it mocks itself. Certain Prices look like exquisitely glazed versions of stuff you would want to scrape off your boot. And what about Wart Cup, 1968, for a title? One can't claim too much for his cups, which is a relief in a culture that tends to claim far too much for its paintings, but the whole show in Minneapolis is infused...