Word: clays
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...tell that they are full of the sorrow and contrition that only a sincerely devout human being can experience. Browsing through the corpulent volume entitled "Bernini" that is conveniently provided at the front of the exhibit, you will observe that the completed marble version of the clay impression has Jerome rest his head upon a cross, oblivious to the rest of the world in his religious penitence, that is more than touching--it is heartrending in its faith...
...deeply religious man. Nothing less than divine inspiration could have enabled him to create the works stamped with his trademark devotion--the extraordinarily vivid angels, seemingly descended directly from heaven in a swirl of fluid drapery, are instilled with awe and holy adoration that transcend the earthly constraints of clay...
...inauguration of the exhibit Gian Lorenzo Bernini: Sketches in Clay, in a permanent collection gallery of the Fogg Art Museum celebrates the quartercentenary of Bernini's birth. The works on display are studies for some of Bernini's most important projects, including the design for the sculptural decoration for the Ponte Sant' Angelo, the Tiber River bridge for pilgrims approaching St. Peter's Basilica and the architectural and sculptural setting for the Ecstasy of Saint Teresa...
...Pope Clement IX Rospigliosi commissioned Bernini to work on the Ponte Sant' Angelo project. For the next two years, the sculptor cast his ideas into clay, creating models for 10 over life-size marble angels, each carrying an instrument of Christ's Passion. Of the 10 angels, eight were carved by sculptors under Bernini's direction, and Bernini's own work was confined to the angels holding the Crown of Thorns and the Superscription. When the Pope visited Bernini's studio, he was so impressed with Bernini's two angels that he declared them too beautiful for outdoor display...
Five of the clay sketches in the Fogg installation are studies by Bernini for the Ponte Sant' Angelo and offer a unique opportunity to follow the artist's creative ideas. The centerpieces of the collection are the sketches of the angels holding the Superscription and the Scourge, which the artist modified to study the fall of drapery. A generous furling of the angel's robe over her left leg adds a touch of breathtaking reality to the sculpture, making it seem as though the seraph was caught in a rush of hallowed breath. The angels' expressions of mute adoration...