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...Beckett branch of the avantgarde, which includes such playwrights as Eugene lonesco (Rhinoceros) and Edward Albee (The Zoo Story), might be labeled the New Exquisites. The Old Exquisites (e.g., Oscar Wilde and the fin-de-siècle dandies) were anti-bourgeois snobs. They were too pure for the philistine middle class. The New Exquisites are anti-life snobs. Life is not pure enough for them. Several times in Happy Days, Winnie scrutinizes the handle of her toothbrush and reads the words "fully guaranteed . . . genuine pure." She and the New Exquisites are bitter because life is not fully guaranteed...
...opera, is the heroine of Alban Berg's Lulu. Left uncompleted at Composer Berg's death in 1935, Lulu has one of the most difficult scores (twelve-tone) and the most sordid libretto ever written. It is a kind of nightmarish perversion of fin de siècle German romanticism; its subject matter includes sadism, narcissism, incest, homosexuality, masochism and murder. Counting its Zurich premiere in 1937, it has been staged only six times. The Frankfurt Opera is now giving Lulu its seventh production, and probably its best...
Gigi. Colette's slender novelette, larded up with production values and brought forth as a big fat musical; but the show is saved by Cecil Beaton's fruitily fin de siècle sets and costumes-a cinemuseum of exquisite eyesores (TIME...
Died. Max Graf, 84, music critic who reached fame in Emperor Franz Josef's fin-de-siècle Vienna, author of Modern Music, Composer and Critic, Legend of a Musical City; of a stroke; in Vienna. Friend and appraiser of Johannes Brahms, Anton Bruckner, Gustav Mahler and Richard Strauss aging Max Graf recoiled as the Nazis took the Vienna woods, later wrote that "it required three centuries to make Vienna a musical city; one day sufficed to destroy this historic edifice." Fleeing to the U.S., he taught at Manhattan's New School for Social Research, became...
Gigi. Colette's slender novelette, larded up with production values and brought forth as a big fat musical: but the show is saved by Cecil Beaton's fruitily fin de siècle sets and costumes (TIME...