Word: clea
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Dates: during 1957-1957
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...fleshed with verbal luxuriance and approached by a dozen roads as twisted and surprising as the narrow alleyways in the dense Attarine Quarter. Justine is seen from many angles-through the despairing eyes of her first husband, in her own diary, through the cool and critical intelligence of Clea, a woman painter. Nessim discusses Justine endlessly; the Irish narrator seeks to define and grasp her attraction. Clea perhaps comes closest when she says: "After all Justine cannot be justified or excused. She simply and magnificently is; we have to put up with her, like original...