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Word: cleans (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Nonetheless, the L.D.P. seems on the verge of winning again. Its surprising strength is due to two factors: 1) the failure of the main opposition groups-the Socialists, Communists and neo-Buddhist Komeito (Clean Government) Party-to get together on a common slate, mainly because of the Socialists' fear of being engulfed by the smaller but better-organized Communists, and 2) the ability of the L.D.P. to outspend its opponents on campaign rallies and posters. As the Japanese say, "Go to, yon raku" (Five wins, four loses)-meaning that a candidate who can spend 500 million yen ($1.78 million...

Author: /time Magazine | Title: JAPAN: Unsinkable Kaku-san | 7/8/1974 | See Source »

...than an infamous criminal. With little virtue of their own of which to boast, they bribe one of Mac's whores, Jenny Diver (Tiina Cartmell), into betraying him to the police. Scotland Yard is led by Mac's old army buddy, the powerful Tiger-Brown (Patrick Clean), whose own daughter Lucy (Cynthia Dickason) is also married secretly to Mac. Mac is arrested twice. The women fight for his allegiance. He is saved at the very end by a royal pardon which also grants him peerage...

Author: By Peter M. Shane, | Title: Begging for More | 7/5/1974 | See Source »

CAROLE Shelley is here an admirable Viola--sprightly, intelligent, and a model of sanity in a world of absurdity. Her diction is clean, and her handling of the "Fortune forbid" soliloquy is particularly distinguished. But there is more beauty in the "damask cheek" speech than she is yet able to convey. (Siobhan McKenna's portrayal remains the yardstick for this part, as for Shaw's Saint Joan and others.) The plausibility of confusion between Viola-Cesario and Sebastian is helped here through Donald Warfield's soft, rather womanly portrayal of the brother (a role once played by a 19-year...

Author: By Caldwell Titcomb, | Title: 'Twelfth Night' Opens Twentieth Season | 7/1/1974 | See Source »

...Stocking Feet. Mayor Soglin's style contrasts sharply with that of the clean-cut, well-dressed and almost militarily inaccessible Dyke. Soglin, who has a habit of arguing far into the night, often shows up bleary-eyed at his office. Cartoons, antiwar slogans and newspaper clippings dot the walls around his desk; a plaque that reads HIZZONER DA MARE is on the door. Soglin often pads around his office in his stocking feet, presides over city-council meetings with a half-hidden smile that betrays his amusement at the proceedings...

Author: /time Magazine | Title: MAYORS: A Radical's Greening | 7/1/1974 | See Source »

...this enveloping character of metamorphic fantasy that Miró responded. A painting like Landscape (The Hare) is its reduction: the horizon line drawn clean as a wire, yet with an irrational undular flourish; the absurd and soulful hare, like a creature from a comic strip. Its gaze is fixed on what appears to be a rifle ball, ricocheting in a spiral from the gun of a disembodied hunter. The color, too, is unique - the broad planes of earth and sky like a flag, interspersed by echoing flecks of red, or ange and yellow on the body of the hare...

Author: /time Magazine | Title: Joan Mir | 7/1/1974 | See Source »

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