Word: cleans
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Dates: during 1970-1979
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CITIES. Big-city mayors who oppose interference by their state governments will be given approval power over state-run programs. In addition, cities will receive $1 billion directly from Washington to clean up decayed areas; they will also get $200 million to improve public transport...
...start of the play Moorehouse is an undistinguished, boyish employee in a real estate firm. He is clean-cut and innocent with bright blue eyes, and he meets a wealthy woman whom he marries several scenes later. As Moorehouse's career soars, the plot switches focus to Janey and Joe Williams, two kids from a middle-class Georgetown background. Unlike Moorehouse, Janey and Joe do not become success stories. Joe runs away from home, enlists in the navy, deserts, and become a workingman whose "future is behind him." Janey ends up as Moorehouse's secretary...
...considerable amount of Mozart, and now the experience of both conductor and musicians is bearing fruit. The strings exhibited the same cleanliness of ornamentation and sensitivity to dynamic shading as they had shown in the Purcell piece; their playing, like that of the high woodwinds and the timpani, was clean and light. The orchestra and its conductor, as well as the soloist, showed an acute awareness of the unique and difficult problems posed by Mozart, and responded to those challenges with intelligence and grace...
Even before the strike, Carter's plan confronted some serious obstacles, notably the enforcement of clean-air standards. To that problem must now be added the question of reliable supplies and stable prices for the coal that the Carter policy recommends. During the strike so far, with overall coal production cut by about half, affected utilities have kept operating partly by burning an extra...
...final segment of the play, the son's hands are crimsoned by the blood of a lamb he has just slaughtered. He has not been washed clean in the blood of the lamb, for the animal was maggoty, like the family. Despite this strained symbolic ending, Shepard has fashioned a play of eloquent intensity, whirlwind farce and resonantly poignant insight. The cast all get A's. The ensemble work they do can not be matched off-Broadway...