Word: clearings
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Dates: during 1970-1979
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Though nonsense of this kind is timeless, the farce is set in Paris in 1952, and it is clear that Director Claude Berri regards The First Time, like his earlier films The Two of Us and Marry Me, Marry Me, as a roguish memoir. The mighty engines of nostalgia come into play as male viewers in their 40s, harassed by their own teen-age children and the spores of mid-life fungus, look backward with Berri. It is a rueful pleasure to watch Claude and his randy school friends stumble rubber-kneed after anything in skirts. The viewer smiles...
...lost in the swamp of his mid-40s, can't quite figure out what's wrong with him. But he senses that the problem has something to do with the generative urge. He speaks with love of his marriage to Claude's mother, and it is clear that the love that is evident within the family has given Claude enough ballast to steady him a bit. The movie's final frames show Claude not with a girlfriend but at a family picnic, watching his father and little sister play catch with a beach ball. The point...
DIED. Ray Noble, 71, British bandleader, composer and later comedian who stirred as much attention in the 1930s with the clear fidelity of his discs as with his smooth, glossy jazz style; of cancer; in London. Noble used a cavernous sound studio to capture a new resonance when he recorded his popular songs (Goodnight, Sweetheart; By the Fireside; The Very Thought of You), then became an English stooge on American radio with Edgar Bergen and Charlie McCarthy...
...focus does not quite work the other way. Most Americans may never have heard of Steinberg, but the influence of that clear, epigrammatic line and dry wit has been felt throughout American design and illustration for almost two generations. Moreover, his motifs are almost subliminally recognizable: the wry face whose nose turns into a detachable line, the worried cats, the Ruritanian flourishes and curlicues, the apocalyptic scenes of street riots and urban breakdown, the setting of the bizarre commonplaces of American life in a cosmopolitan matrix. Such details of Steinberg's work constitute a signature and have subtly altered America...
...graduated from high school and enrolled as a philosophy student at the University of Bucharest. The following year, 1933, Steinberg embarked on the first of his many expatriations?to Italy, where he settled in Milan to study architecture at the Polytechnic. "It was clear to me that I could never become an architect, because of the horror of dealing with people that architecture involves. I knew it from the beginning, but I went on with it. One learned elementary things. How to sharpen a pencil. The fact was that most of my colleagues went to architecture the way I went...