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Word: clearings (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...Harvard students if they supported the Biko Fund. Moreover, the Fund might be then used to detract from the real target of student concern on the South Africa issue: the Corporation's investment policy. Weighing this result against the very limited symbolic significance of the Biko Fund, it became clear that the political costs of keeping the Fund would far outweigh its benefits...

Author: NO WRITER ATTRIBUTED | Title: No Biko Fund | 5/29/1979 | See Source »

...diagnosis of why medical costs are shooting up is reasonably clear, the course of treatment that could bring those costs under control is anything but clear. It is easy

Author: /time Magazine | Title: Health Cost: What Limit? | 5/28/1979 | See Source »

...nger appears beside Andy to take bows at the end of the show. Kaufman insists Clifton is a real person he once mimicked, who is now appearing in person. "Everyone thinks he's me," Kaufman says. "It's really destroying Tony's career." It is clear that Kaufman's comedy in every incarnation is like a full-dress masque that sets new rules, tests new limits. "I never told a joke in my life," he says, with pride. The essence of his gift, the full range of his promise, is just this simple. Andy Kaufman...

Author: /time Magazine | Title: Show Business: Laughter from the Toy Chest | 5/28/1979 | See Source »

...soon becomes clear that it is not going to be easy. Her sloppy, vicious cab-driving mother (Madeleine Thornton-Sherwood) turns up to excoriate her. A prison guard (Bob Burrus) has quit his job and accompanied Arlene to her Louisville flat, with the lecherous expectation of shacking up with her. He is an odd mixture of paternal solicitude and cruel menace. Her ex-lover and pimp (Leo Burmester) shows up. A smarmy swaggerer in an orange suit, he proposes to take her off to the rich mean streets of New York...

Author: /time Magazine | Title: Theater: Seared Soul | 5/28/1979 | See Source »

...attempt the task. More than a decade ago, he gave us a Ulysses that suffered from the same dull defects. But there are, at least some inherently cinematic aspects to that novel, and the director's defects did not appear quite so plainly. In Portrait it becomes clear that Strick cannot even handle straightforward dramatic scenes energetically and forcefully. Nor is he very good with actors. Bosco Hogan, who looks the part of Stephen, cannot find the wit, rage and irony that are there to be mined, and no one else is permitted to explode emotionally either. The result...

Author: /time Magazine | Title: Cinema: Poor Likeness | 5/28/1979 | See Source »

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