Word: clefts
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...1970s she began experimenting with science fiction - it is unlikely that any other Nobel laureate could lay claim to a work like her 1994 novel The Making of the Representative for Planet 8, about an eco-catastrophe on a distant world. In August Lessing published a new novel, The Cleft, in which she re-imagines the history of the human race - originally, she proposes, humanity consisted entirely of women, all the trouble having begun when women inexplicably began giving birth to male babies. "The best thing one can say of anyone is that they fight," Lessing wrote in The Golden...
...James Lowe started talking, something he couldn't do until a year ago. He is 51, a disabled coal miner from the hollows of eastern Kentucky, and he was born with a severe cleft palate. When he tried to talk as a boy, he couldn't make himself understood, so after a while he stopped trying. Lowe dropped out of school in the fifth grade, followed his father into the mines and still couldn't afford treatment. Then he was partially paralyzed in a mining accident. That didn't leave him many options...
...disabled coal miner from the hollows of Eastern Kentucky. He has never been one to get up in front of a crowd. Until last year, he wouldn't have been able to speak to the crowd even if he wanted to. He was born with a severe cleft palate; when he tried to talk he could not make himself understood, so after a while he stopped trying. He was one of 10 children, born to parents too poor to pay for the treatment he needed, and of course there was no insurance. Embarrassed by his condition, Lowe dropped...
...young Matthew Modine's thug brother, played Audrey Tautou's beau at the battlefront in A Very Long Engagement. There, he was all innocent desperation; here, he's just moody-broody. For me, Ulliel's performance, especially in the many closeups, was upstaged by my obsession with a cleft near the actor's left eye. I wondered: Is it a healed scar or a high dimple? I never quite decided, but musing on it was a welcome distraction from this sad enterprise...
...hard to draw. Eyes were usually ball-less, two thin slits. Mouths were always thick, quick single lines - never double. Mouths, for some reason, were rarely shown open. Dialogue, theoretically, was spoken from the nose. Heroes' faces were square-jawed; in some cases, all-jawed. Often there was a cleft in the chin...