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...backs of his canvases. A third gallery is showing Malcolm Morley's version of Vermeer's Portrait of the Artist in His Studio-a much-admired painting that has also served as the model for a collage by Alfred Di Lauro and a painting by John Clem Clarke (see color...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

...state did make one possibly significant point. Russo has insisted that Shaw was introduced to him as "Clem Bertrand." A veteran mailman, James Hardiman, swore that he had delivered letters addressed both to Clay Shaw and to Clem Bertrand at the French Quarter home of Jeff Biddison, a close friend of Shaw. Even so, that did not make Shaw a member of a conspiracy...

Author: /time Magazine | Title: Nation: Dallas Revisited | 2/21/1969 | See Source »

...salesman for self-motivation, an exemplar of the American dream. He laces his conversation with homilies, and he espouses a philosophy of hard work, clean living, and positive thinking that might be too much for even his friend, Norman Vincent Peale. Yet nobody can argue about the success of Clem Stone. At 66, he is one of the least-known of America's superrich...

Author: /time Magazine | Title: Executives: An American Original | 2/7/1969 | See Source »

...time for Captain Cleveland, a midafternoon kiddy show on Cleveland's WKBF-TV. The host, Ventriloquist John Slowey, slipped lavaliere mikes around the necks of his young dummy, "Private Clem," and of the guest of the day. "What do I call you-your highness?" piped the bug-eyed puppet. The guest shook his head, smiled, and replied: "Most people use the name Mr. Mayor." So began the first of a weekly series of appearances by Carl Stokes, the first elected Negro head of a major U.S. city and the most winning on-air mayor for the kids since...

Author: /time Magazine | Title: Programming: Private Clem & Mr. Mayor | 5/3/1968 | See Source »

Captain Cleveland is aimed at children from three to ten, and the Private Clem and Mr. Mayor colloquies are designed to interest the kids in government and, by implication, good race relations. Clem's questions run from "Do you own the city?" to "Is the policeman my friend?" At one point, after Stokes explained that the police are responsible for protecting property, Clem noted: "That's why I can keep my bicycle in front of my house and no one takes it." Replied Stokes: "But don't you do that too much...

Author: /time Magazine | Title: Programming: Private Clem & Mr. Mayor | 5/3/1968 | See Source »

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