Word: clemente
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...Mark N. Templeton '92-'93 Maggie S. Tucker '93 Jeffrey C. Wu '92 Editorial Editors: Kelly A.E. Mason '92 Joshua M. Sharfstein '91 Feature Editor: Joseph R. Palmore '91 Sports Editor: Michael R. Grunwald '92 Photo Editor: William H. Bachman '92 Business Editor: Timothy B. Paydos '92 Copy Editor: Clement...
...house and run are completed, and in fact are inhabited by thirty black hens which were delivered at dead of night by Mrs. Clement. "This is the best time to transport hens" apparently. Louis and I had been busy for a week putting up an escape proof fence (we hope) and turning one end of the play hut into a replica Hilton Hotel, roosts, nest boxes etc. So now we have the gentle chucking of hens and the occasional cackle when one or the other manages to lay an egg (eight today...
This outburst of randiness may have cost Giulio his Roman career. Raphael was dead, and his former assistants were now maneuvering on their own for the big commissions. But with Luther raging against Vatican corruption and a reformist chill blowing through the papal court, Pope Clement VII was not going to make a pornographer his official painter. At this point Baldassare Castiglione, Raphael's friend and author of The Courtier, fixed Giulio up with his job in Mantua...
...most of them. Thereupon the chairman of Stanford's anthropology department, James Lowell Gibbs Jr., had the locks changed on the collection. The wrangle grew wider as scientists contemplated the loss of the bones, some up to 3,000 years old, which have long been available for study. Clement Meighan, head of the American Committee for the Preservation of Archaeological Collections, weighed in: "We are not talking about somebody's uncle. Some of these people were buried in the time of the Greeks and the Romans. Destruction of their remains is really unconscionable." Will the Indians ever bury those bones...
When the critic Clement Greenberg sent Morris Louis and Kenneth Noland round to see Mountains and Sea in Frankenthaler's studio, they were astonished. "It was as if Morris had been waiting all his life for this information," Noland would say later. What they saw was a way to convey the weightless bloom of color without any apparent thickness of paint: light without texture. (Maybe they could have seen it earlier by looking at Turner's watercolors, but never mind: American taste ran to watercolors the size of Guernica.) Though practically no one now buys the '60s' doctrinaire readings...