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...historical past. They align him with lesser painters (notably Kenneth Noland), they ignore all his romantic emotionality, and they explain him largely in intellectual terms. The quality of feeling in Louis' paintings is undeniable and though the influence of the intellectual approach of Noland and the critic Clement Greenberg is clear, Louis cannot be discussed as part of that movement...

Author: By Jonathan D. Fineberg, | Title: Morris Louis | 4/26/1967 | See Source »

Some ministers occasionally substitute movies, plays or poetry readings for conventional sermons. St. Clement's Episcopal Church, on the fringe of Broadway in Manhattan, frequently presents dramatic readings and even short playlets in place of sermons by its vicar, Father Eugene A. Monick. One Sunday, parishioners acted out a scene from Harold Pinter's The Caretaker. At another service, they put on a sketch about parish life, improbably called The Dynamics of Inter-Cultural Encounter, or How I Split My Scene, Dropped My Frock, Blew My Cool and Found...

Author: /time Magazine | Title: Churches: Secular Sermons | 3/10/1967 | See Source »

...nationalization of Britain's steel industry has long been an emotion charged shibboleth for British socialists. Clement Attlee's Labor government succeeded in taking over the industry in 1951 - only to be driven from office eight months later, partly because it had muddled the steel industry so badly. The Tories put most of steel back into private hands. When he took over as Prime Minister in 1964, Harold Wilson tried to renationalize steel with his thin majority, but retreated when he saw how perilous ly close the vote would be. Last week, with a healthy majority assured since...

Author: /time Magazine | Title: Great Britain: A Costly Shibboleth | 2/3/1967 | See Source »

...action scenes the Gaullist heroes-ludicrously misdirected by Rene Clement, who made his reputation with a film about children (Forbidden Games)-look so much like a platoon of preschool toddlers playing bang-I-gotcha! that instead of glory they get mostly guffaws. After an hour or so of this, most previewers were badly rattled. Some tried plugging their ears, but then the action looked completely incomprehensible. Some tried closing their eyes, but then they could still hear the lines-e.g., "Fifty kilometers to Paris? Hm. That's about 30 miles." Finally, a few coony old film critics discovered...

Author: /time Magazine | Title: Cinema: Bcmg-l-Gotcha! | 11/25/1966 | See Source »

Ends--Joe Gavin (Kirkland), Tom Perkins (Winthrop); Tackles--John Clement (Eliot); Guard--Tom Bussing (Leverett); Middle Guard--Tom Ridge (Quincy); Center--Paul Bennett (Eliot); Backs -- Bunky Reed (Eliot), Bill McVickers (Dudley), Chris Wickens (Quincy...

Author: NO WRITER ATTRIBUTED | Title: TOP HONORABLE MENTIONS | 11/17/1966 | See Source »

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