Word: cleopatra
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Dates: during 1960-1969
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...overture was followed by the maligned Cléopâtre composition, sung by Mezzo Beverly Wolff, and several excerpts from the dramatic symphony Romeo and Juliet. The first is charged with imaginative pictorial touches-for example, the snakish slide of the violas and cellos as Cleopatra clasps the asp to her bosom. In Romeo and Juliet, Berlioz shows that he can be as tender with Shakespeare's young lovers as he is terrifying with Cleopatra. Berlioz did not, however, always have to rely on emotional pressure. The overture to the comic opera Beatrice and Benedict, which Davis played...
This passage, which evokes both Shakespeare's Cleopatra and the historic Queen Elizabeth (who were both barge owners), seemed to Pound as "too tum-te-tum at a stretch." Eliot fortunately could not help writing poetic poetry. His verse, as it was written, tum-te-tums today in many a mind, and the Boston lady's chair in that passage is still a "burnished throne...
Apart from their petrifying boredom, the one quality that unites both these musicals is effrontery. Her First Roman has the gall to take Shaw's Caesar and Cleopatra and suffocate it in dullness...
Died. Julius Fleischmann, 68, heir to the Fleischmann liquor fortune, who used his wealth to help finance the Ballet Russe, Manhattan's Metropolitan Opera and numerous Broadway plays (Pygmalion, 1946; Caesar and Cleopatra, 1949); of cancer; in Cincinnati...
...FIRST ROMAN, based on Shaw's Caesar and Cleopatra. With Richard Kiley and Leslie Uggams...