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Richard III, as conceived by actor Ian McKellen and director Richard Loncraine, is one bold customer. Here is Shakespeare's upper-class mass murderer reimagined as a clever fascist in the court of Edward VIII. The 1930s was a decade of ruthless strongmen, in both European politics and Hollywood movies. Gangsters, mesmerizing in their amoral ambition, were the men of the moment; they lent a sick thrill to the front page and entertainment section. This Richard is such a fellow, Hitler as Scarface. From the opening titles, which explode in a blast of artillery, to the closing image of Richard...

Author: /time Magazine | Title: CINEMA: PULP ELIZABETHAN FICTION | 1/15/1996 | See Source »

...Marlboro Unlimited is a clever strategy to secure the brand's image in a time hostile to cigarette advertising. "We are always looking for innovative and proprietary ways to dimensionalize Marlboro Country," says Nancy Lund, vice president of Marlboro and a true poet of corporate-speak. "The Unlimited is a marriage of several concepts." In other words, the promotion sells cigarettes, it flogs merchandise, and it allows the target audience to smoke more while annoying nonsmokers a little less...

Author: /time Magazine | Title: CHUFF CHUFF, PUFF PUFF | 1/8/1996 | See Source »

...statue but an enormously complicated network of computer circuitry that, on a bet, is being taught to think. The Pygmalions--there are a couple of them--are an acerbic cyber-scientist and a lovelorn novelist named (hmm?) Richard Powers. A scheme that might seem mechanical and too clever works out instead to be humane and thoughtful and, when the computer is troubled by 3 a.m. brooding ("What race am I? What races hate me?"), surprisingly moving...

Author: /time Magazine | Title: The Best Of 1995: BOOKS | 12/25/1995 | See Source »

VERY MOVING. THE HEARTBREAK beneath the courtesies." So writes Emma Thompson in the production diary she has just published, together with her screenplay for Sense and Sensibility. Clever girl. For writing this impeccable adaptation of the Jane Austen novel. For giving it a still, deep center with her delicately repressed (and then superbly released) performance in one of the title roles--she's "Sense," otherwise known as Elinor Dashwood. For defining in seven words the essence of romantic comedy. And for understanding that well over a century before it became a movie genre, Austen had mastered its most basic conventions...

Author: /time Magazine | Title: KISSING COUSINS | 12/18/1995 | See Source »

Toloui said the committee also asked about his favorite piece of art-work (Picasso's "Guernica") and his favorite ancient Persian king (Xerxes, because of his "clever politics during the Peloponnesian...

Author: By Chana R. Schoenberger, | Title: Eight Harvard Students Named Rhodes Scholars | 12/11/1995 | See Source »

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