Word: clever
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Monday night at the Black Rose (523-8486) Peter Johnson hosts an open hoot. Tuesday, the 15th through Saturday, the 19th, The Black Rose-- a very authentic foursome, between them playing guitar, fiddle, mandolin and bodhran--perform traditional Irish music at the Black Rose. (Clever, eh?) Rose opens at noon on St. Patric's day; don't go, it will be jammed. See the listings page for other nights...
...that you've seen The Proposition, from which many of the ideas for skits are stolen. These eight members who make up the Next Move troupe are former Proposition people, who left the company over an employment dispute in 1974. Two-hours of hilarious satire, by a clever and versatile bunch. Non-stop ad libbing by a personable crew of singers, pantomimes, dancers, and above all, humorists. At the Next Move Theatre Company, Inc. For ticket info call...
Less understated in its irony is a piece called "Woman Caught Unawares." Here the subject stands frozen in an obviously impromptu pose, her knees buckled inwards and both hands clasped embarassedly together in front of her waist. The funniest and most clever part of this pose, though, lies in the position that Degas gives her head: instead of staring forward, her mouth agape, or the corners of her mouth turned down in a disapproving frown, the visually violated woman has twisted her head around and away from her presumed admirer. For some reason, she wants to spare herself the sight...
...well-wrought details that enable the perpetrator to get away cleanly, so in Softly Stealing it is the lyrics to the 19 songs that provide the great escape. Fuller's words can be alternately funny, as they are in "Taxing Deductions," the theme song of the "almost clever criminologist," Inspector Quentin Thornblade, who tries to think like the great Sable in an effort to outwit his criminal mind, or haunting as in "The Runaways," Brenda's plea to Sable to return home, or romantic as in "A Perfect Stranger," the love song in the play. But all the lyrics...
...Cussler's book doesn't even pass as good satire--his humor is too leaden and his heroes are not appealing enough to succeed as caricatures of a frequently caricatured genre. Stuck in a no-man's land between the superbly serious thrillers of John LeCarre and the outlandishly clever spy fantasies of Ian Fleming, Raise the Titanic! flounders along its muddily mediocre...