Word: cliburn
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...never abandoned the stage, I never left the stage, I only took time," said Van Cliburn, who had not appeared in a public concert or made a recording in nearly eleven years. It was 2:30 a.m., Cliburn's favored hour for interviews, since he usually sleeps from 5 in the morning to 1 in the afternoon. As he talked about his return to the stage that he had never left, he grew increasingly adamant. "I never retired, and I don't think that classical musicians do. It's unthinkable...
...Philadelphia last week, and it all seemed true. He had not retired. The previous eleven years melted away; indeed, the previous 31 years melted away. The lanky 6-ft. 4-in. frame had filled out a bit, and the wavy blond hair was now speckled with gray, but when Cliburn, 54, once again sailed into the Tchaikovsky Concerto No. 1 in B-Flat Minor, he demonstrated that neither age nor idleness had diminished his extraordinary technique. The thundering octaves still thundered; the glittering passage-work still glittered. More important, he played this mindlessly beautiful showpiece with a lifetime of love...
Even then, even among admiring critics, there were grumblings about his reluctance to develop a broader repertoire. "The young man will have to make up his mind," said one, "whether he wants to be an artist or a flesh-and- blood jukebox." Though Cliburn went on performing as many as 100 concerts a year for the next two decades (which did include some Mozart, Chopin, Prokofiev), the authoritative New Grove Dictionary has summed up his fading career by saying that "he could not cope with the loss of freshness; his . . . playing took on affectations . . . He stopped performing...
...initial trip abroad as First Lady, Raisa jokingly said to Danielle Mitterrand, wife of the French President, "Give me some advice. I'm a beginner at this job." She learned fast, and quickly became a hit in the West. In Washington, accompanied by Van Cliburn on the piano, she and her husband made White House guests smile by leading the Soviet delegation in a rendition of a sentimental Russian favorite, Moscow Nights...
Thirty years have passed since Van Cliburn, that apple pie-fed Texan, conquered Moscow in the first Tchaikovsky competition, which required performance of the concerto. Since then, with the rise in competitions' importance, the work has become one of the most overplayed of all repertoire staples. The passion and fervor of the work, which seemed so wild and new in 1875, can strike the jaded modern ear as overworn and even vacuous...