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Word: cliches (lookup in dictionary) (lookup stats)
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...champion cliché word in the contemporary lexicon is paranoia. Like most clichés, it gained its currency from actual conditions. A tragic example is an incident that took place in a Chicago supermarket parking lot. David Munoz, 10, earned soda-pop and movie money by carrying grocery bags to customers' cars. As he was crossing the parking area carrying loaded bags, he passed an armored truck. Inside was a guard, Ronald Brannan, who was waiting for his partner to pick up the supermarket receipts...

Author: /time Magazine | Title: The Nation: The Price of Paranoia | 4/17/1972 | See Source »

Depending on one's point of view, Davis' vision may seem like an expanded version of a racial cliché, or like a black rhapsody. His approach, however, is practical. As president of Third World Cinema, a film company that is also a New York-based community project, he is helping young blacks learn about all aspects of film making. With federal funding, TWC has established an on-the-job training program for aspiring black and Puerto Rican moviemakers, with 53 apprentices now working, and a film school is in the planning stages. TWC's film plans...

Author: /time Magazine | Title: Show Business: Black Market | 4/10/1972 | See Source »

...stereo set, transistor and white antiseptic machine for nonliving that he calls his "home unit." He adores his wife (Barbara Caruso) though she makes him a voyeur to his own cuckolding. He has unquestioning faith in his friends, though they are parasitic phonies. Perishing in a snowdrift of optimistic clichés, Bentley loses all - home, wife, job, future...

Author: /time Magazine | Title: The Theater: Aussie Absurdist | 2/14/1972 | See Source »

Elia Kazan, of stage and screen, broke into bestselling novel writing five years ago with The Arrangement, in which a middle-aged adman turns intellectual and works up a healthy sweat over old values and a new woman. The prose was rough cut; the characters were slabs of emotional clichés. Kazan was not out to master the novel form but to overwhelm it on his way to the movie script...

Author: /time Magazine | Title: Books: Shadow of the Beast | 2/14/1972 | See Source »

Banned were such clichés as long introductions, phony folksiness and chorus lines with phalanxes of pretty legs flung up into the camera. "The best contribution I can make as a producer is to let the personality shine through on the screen," says Henry. "It's a small tube. If you clutter it up with a lot of people, you lose the most interesting thing in the world-the human face." With simplicity as the keynote, nothing was allowed to overshadow the star-Flip Wilson...

Author: /time Magazine | Title: When You're Hot, You're Hot | 1/31/1972 | See Source »

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