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Word: climax (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...lights and hide the book. The next day we'd tear the house apart looking for it so we could read what happened next." When Molly was six, Adele posed as her secret pen pal, writing and mailing letters to her daughter. "Every letter would reach a climax," Molly says, "with my secret pal hanging by a daisy off the edge of a cliff or over a pit of alligators. Then the letter would say, 'Well, have to go now. Write me back, and I'll finish the story...

Author: /time Magazine | Title: Cinema: Well, Hello Molly Ringwald! | 5/26/1986 | See Source »

...pinwheeling bozo in The Falcon and the Snowman. Here he is all static electricity, forcing a smile through the sour taste in his mouth, weighing filial devotion against conventional morality, trying to figure out what his body will tell his brain to do next. And when, at the climax, he confronts Brad Sr. over a string of domestic crimes ("Is this the family gun, Dad?"), Penn gives the movie, and his career to date, a sensational payoff. Worry over the film's shortcomings while you watch it, but put this performance in the time capsule...

Author: /time Magazine | Title: Cinema: Is This the Family Gun, Dad? At Close Range | 4/28/1986 | See Source »

...embrace was the climax of an 80-minute ceremony last week during a historic pre-Passover call by John Paul at the synagogue; it was the first time that a Pope is known to have visited a Jewish house of worship. Initiated by a personal request from the Pontiff, the carefully planned event included mutual declarations of respect by the Pope (who twice used Hebrew phrases) and the Chief Rabbi, Bible readings, hymns and the rendition by a cantor and choir of Ani Ma'amin, a traditional profession of faith sung by Jews as they were...

Author: /time Magazine | Title: Religion: Mutual Declarations of Respect | 4/28/1986 | See Source »

...syllables to underscore the sarcasm; their steps are punctuated by the swish and rattle of chains. The costumes display Fosse trademarks: white gloves, hats, spangled tuxedos. So do the dances, with their hip and shoulder rolls, backward exits and slithering one-hand gestures down the torso. The first-act climax, a mob convulsion set to Beat Me, Daddy, Eight to the Bar, recaps the form-in- formlessness trick that Fosse calls "the amoeba." His sultry sexual trio for Me and My Shadow derives from his Tony-winning Steam Heat for Pajama Game...

Author: /time Magazine | Title: Theater: Slick, Sassy, Borrowed and Blue | 4/21/1986 | See Source »

...conventional musical comedy this convoluted climax to the first act would simply be the lead to a satisfying conclusion in act two. Things do conclude, in a sense, but The Yeomen, so unsoothingly heavy for a light opera, trundles forth to a decidedly unsettling...

Author: By Jess M. Bravin, | Title: A Little Nice Music | 4/18/1986 | See Source »

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