Word: climaxes
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Dates: during 1980-1989
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...whimpering climax to the daring venture that put John Z. De Lorean's name on wheels. De Lorean attempted what no one had managed to pull off since Henry J. Kaiser did it in the 1940s: to start an auto company and compete successfully in a market dominated by Ford, Chrysler and GM. In the end, De Lorean's eight-year effort left U.S. investors, dealers and suppliers-and particularly the British government-poorer and wiser. In the beginning, De Lorean made them all believers. The British government, which was looking for ways to provide jobs for desperately...
shortly afterward, the film arrives at its intended climax, which proves to be its downfull. Contronted with the ridge separating him from his destination. Fitzearruldo decides to cross it by taking the entire boat along with him. This action tries to capture the madness of the quest. But a symbol requires subtlety, and once again. Herzog stitles, all nuances. The ship is indeed dragged across the land with help him the Indians who, having stepped out from behind their ominuos drumbeat, trurn to be disappointingly sullen rather than mysterious. For at least a half hour they pull the creaking ship...
Amidst her blatant passion for Sloan, various other subplots unfold--including the homosexual relationship between Ed and Sloan and the father's recognition of Sloan. All these developments climax in one explosive monologue by Sloan, revealing his depraved and destructive past. Samols leaves us breathless from this speech and his ensuing violence, which finally lead Kath and Ed to a brutal fight over Sloan...
...greeted by the strains of Schubert's March Militaire from the camp's orchestra at the gates of Auschwitz does he realize that he has supped full of horrors. This time, and he shrieks it out, "The band was Real! The band was Real!" With this shattering climax, Good achieves a high pitch of luminous moral gravity. Venturing beyond easy and merely plausible answers about how a good man succumbs to evil forces, Playwright Taylor has etched the profile of an insidiously disarming process. That process was perhaps best described by Britain's belletrist of metaphysics...
Even though Xica dons very elaborate costumes, the climax of the movie comes when the character sheds her clothes to perform a ritualistic dance. Her taut body fills the screen as she seduces a foppish Count eagerly watching her--not to mention the audience...