Word: climaxes
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Dates: during 2000-2009
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...scenario, the Deccan eruptions began perhaps half a million years before the mass extinction. "This leads to greenhouse warming that puts a major stress on the environment," she says. Then came the asteroid impact, which pushed things further toward catastrophe. Finally, 300,000 years later, the eruptions reached their climax, sealing the dinosaurs' fate. "We've shown convincingly," she says, "the mass extinction came about 300,000 years after the asteroid impact...
...resort to Bush-bashing was Clinton's safety net in the Oct. 30 debate, the place she could go to deflect her opponents' attacks. But those attacks are likely to grow more intense as the campaign winds toward its Jan. 3 climax in the Iowa caucuses - and the questions of who Clinton is, what she really believes and whether the Democratic Party really wants to return to the pragmatic "balance" of Clintonism will be front and center. This is still a close campaign, at least in Iowa, where the traditionally undependable polls have Clinton with a lead over Obama...
...become figures from Rosepettle’s past as she describes her relationship with her dead husband. They later embody the plant and fish of the epic battle scene, allowing the play to fully embrace an element of surrealism as it heads toward its remarkable climax...
...note: a dead end. The four-hour conversation, key clips of which are shown in the film, is best summarized by Levy herself, who, in exasperation, remarks that no one understood anything. At the same time, this silence seeks to encourage dialogue. By making a cul-de-sac the climax of the film, Medallia emphasizes both sides’ need to address each other’s concerns. She implies that, because the mothers at least tried to reach a conclusion, effort and hope are essential to discussion. Some viewers may feel that the film portrays an overly sympathetic view...
...feel pity as he goes about his solitary life. Engulfed for mysterious reasons by worry, boredom, and heartbreak (a past love is hinted at as he traces the word “Ella” on the frosty windows), his pain is palpable. As the song reaches its climax, González’s repetitive vocals grow increasingly urgent against the guitars’ violent strumming. “Don’t let the darkness eat you up,” he pleads, once, twice, eight times. But the pig-man, deaf to the music, can?...