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Murray talks like a teacher, throwing in vocabwords like "obstreperous" and "obviate," lingeringon tangents that are more educational than theyare relevant. Nothing makes criticism of Imarried a Communist more of a dilemma than thehalf tangential/half-conclusive speeches Murraymakes throughout. In a novel that doesn't revolvearound a climax that estranges its main characterfrom the reader by making him the subject of twoother people's conversation, Murray'sphilosophical effervescence is a rare source ofenergy. Yet, it cloys. For example, after a longdiscussion of how Ira's Estonian nurse used topoke fun at his dainty wife by daintily giving Irablow jobs, Murray mildly...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Roth's Best Title; Not a Bad Book Either | 11/6/1998 | See Source »

However, any omissions are excused by the final two tracks. The fragile "All I Want Is You" stretches on for over six minutes, prolonging the anguish set forth by Bono's mournful yet strong vocals and Edge's subtle guitar playing. The song crescendos to a wailing, yearning climax and then fades away gradually. There is silence for a few minutes, and then the brittle piano chords of "October" start. Sparse and lonely, like a barren tree in winter, "October" is U2 at its finest, displaying some of the strongest emotions on the album with the simplest, minimalist music...

Author: By Annie K. Zaleski, CONTRIBUTING WRITER | Title: U2 THE GOLDEN YEARS... | 11/6/1998 | See Source »

...updating of the Christ story is witty but not patronizing, as sober and cleansing as a dip in baptismal water. Joe Mantello's production--a bare stage, apostles clad in identical white shirts and khakis--is a marvel of spare inventiveness. And the hushed audience reaction at the climax testifies to an artistic success that will outlast the howling...

Author: /time Magazine | Title: Theater: Corpus Christi | 11/2/1998 | See Source »

...album, Hovercraft demonstrates promising innovations and intricate, sudden and powerful changes in rhythm and volume. Even the lack of track closure initially appears to be interesting and unconventional. After another six minutes, these novelties become tiresome, predictable, and downright annoying. The listener becomes totally desensitized from the sudden climaxes, and the apparent randomness of the first track reveals itself as the single creative element of the album, which cycles itself in a timed repetition: there are approximately three minutes between each grinding climax...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...important lies just out of four sight. The cadence of the sentences resound at the level of a missed heartbeat: "He turned and cut into the sandwich. The yolk was cold, and the blade was much sharper than he'd anticipated." The resonances eventually swell to an emotionally intense climax, as Nathan and Jim's secret about their awful father is drawn to the fore...

Author: By Daryl Sng, CONTRIBUTING WRITER | Title: Into the Great Wide British Open | 10/30/1998 | See Source »

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