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...Eventually, the outburst fades into the initial lulling sounds, with some subtle variations. The listener is left wondering what will happen next, as "Anthropod" demonstrates the tremendously effective element of surprise in Hovercraft's music. The track continues with a few pseudo-build-ups, each dissipating before reaching a climax. Unexpectedly, the drums and guitar rip into a tsunami of sound and grinding samples, which is quite startling but seems to lack the adrenaline rush of the initial climax. The song then predictably fades into another quiet interlude, except this time the tranquil monotony spans almost four minutes without...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

...next track, "Fine and Good" opens with an acoustic intro with a spacey background, setting the scene for the eventual rocking climax. "Lead Pipe Cinch" eerily resembles a Soul Asylum acoustic number, but this aura is broken by "Cool Magnet," a pulsating anthem that could become the album's dark horse hit. Though not yet receiving radio airplay, it conveys the raw, hardcore emotion that is great for blasting out the car window while cruising down the highway at 80 miles per hour...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Catty Driving Music For Suburban Illinois | 10/23/1998 | See Source »

...climax to the story, it was a little weak. There was no conflict, no point of dramatic tension, not even a gaudy parabola for the money shot. On Monday, after fans had waited 37 years, Mark McGwire hit his record-tying 61st home run of the season, and the next night he showed up for his prime-time network-television special to hit No. 62. The record-breaking shot was McGwire's shortest, lamest homer of the year. Afterward, we looked to the media to be told what the moral significance was. It was like someone brought in the writers...

Author: /time Magazine | Title: Mark McGwire: Long Live The King | 9/21/1998 | See Source »

...some prime acting by Angela Bassett in How Stella Got Her Groove Back. She emits her patented hot-coals stare, fondles an engagement-ring box with sweet subtlety, sheds urgent, persuasive tears at sexual climax. She smolders and glows--just what's needed as the heroine of a sudsy upscale romance. But Bassett doesn't need a camera to cue her glamorous art. She can give an Oscar-worthy performance sitting across from a journalist in a suite at Manhattan's St. Regis Hotel...

Author: /time Magazine | Title: Cinema: Angela Bassett: Getting In The Groove | 8/17/1998 | See Source »

This drumming ancestral cadence, after building slowly in Ricci's two earlier, related novels (including the prize-winning The Book of Saints), comes to a mist-wreathed climax in Where She Has Gone (Picador USA; 325 pages; $25). Here the sins of the Old World seep across the New as blood across a sheet. Vittorio Innocente--the name itself doesn't travel light--lives unanchored in a Toronto of immigrants, with nothing, as he says, but his freedom. Driving around town in his late father's Oldsmobile, he cannot slough off his mother's infidelity and the out-of-wedlock...

Author: /time Magazine | Title: Books: The Sins Of The Old World | 8/10/1998 | See Source »

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