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...only at the end--when the precarious balance between courtroom drama and culture clash falls--that things fall apart. The climax of what promised to be a fulfilling logical legal setup is mired in the Chinese-English conglomeration to be easily understood. The end sequence consists of swirling and complicated plot ideas, none properly explained (at least not in English). Although the punchline of the scene is suitably shocking and unexpected, it will elicit more of a "Huh?" than a satisfied...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Surprise, Kids! Injustice in China | 10/31/1997 | See Source »

...other works. With a change of mallets, Kissel brought out the greatest diversity of color and texture from the instrument. Perhaps one of the most dramatic works on the program, the piece's opening gestural fragments are later contrasted with homophonic and polyphonic textures. Arriving at a moving climax, Kissel superimposed complex passage work over a furiously pounded drone in the bass...

Author: By Christopher T. Ariza, CONTRIBUTING WRITER | Title: Vibrant Debut for Marimba Virtuoso | 10/31/1997 | See Source »

...mistress upon his marriage. The conflict between Han and Wu's new wife, the pregnancies of each woman, the secret negotiations the three undertake with the matriarch of the House of Wu and the circumstances of Han's eventual immortalization all contribute to the superbly-crafted climax...

Author: By Erika L. Guckenberger, CONTRIBUTING WRITER | Title: Gods, Slaves and Sex: Controversy Surrounding 'Bondmaid' Not a Self-Fulfilling Prophecy | 10/24/1997 | See Source »

...which McBride wrote for a collaboration with legendary bassist Ray Brown. McBride took up his electric bass once again, and this time the choice worked perfectly. The group traded fills and tossed riffs back and forth for this bluesy, funky tune, clearly having a good time. After an intense climax that ended with a flourish, the audience got to its feet and cheered wildly as the trio retreated back-stage. Clearly, everyone in the audience was asking themselves how soon they could see this dynamic trio perform again...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Joshua Redman Trio Electrifies Crowd | 10/24/1997 | See Source »

Despite its title and advertising campaign, Devil's Advocate doesn't offer much in the fright department. Its special-effect heavy climax is a joke about two lawyers having sex in order to produce the Antichrist. Yet D.A. (pun intended?), while lacking the intricacy and genuine thrills of The Firm or the scares of Rosemary's Baby, is a campy, entertaining mix of both films, boosted by Al Pacino's manic performance as its centerpiece...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: Pacino Steals the Show in 'Advocate' | 10/24/1997 | See Source »

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