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Lebed's firing was the climax of three unedifying weeks of political maneuvering and smear campaigns, conducted through the media and sometimes by them, during which former Kremlin officials and present senior ministers have traded mutual accusations of contract murders, high treason, corruption and spying on one another. Nobody, of course, has been arrested in connection with these allegations. During most of this time Yeltsin--now largely reduced to symbolic 60-sec. taped appearances on the evening news--sat quietly by, occasionally expressing incongruously mild disapproval. All this came to an end in the middle of last week. Interior Minister...

Author: /time Magazine | Title: RUSSIA: WHY LEBED GOT BOOTED | 10/28/1996 | See Source »

...leave home with his new girlfriend in a last bid for independence. Immediately, the Who's Afraid of Virginia Woolf alarm begins to sound: Is there a dead baby behind this family's dysfunction? Naturally, there is--though this fact isn't fully revealed until the play's climax, it's obvious right from the beginning, and it makes for a pretty flimsy plot device, not to mention a derivative...

Author: By Adam Kirsch, | Title: Dead Babies, Geraldo and New Orleans | 10/24/1996 | See Source »

...Another Horsedreamer's Blues has a pop-soul feel (Duritz says he was looking for a Fifth Dimension's greatest hits/Isaac Hayes' Hot Buttered Soul sound); another, I'm Not Sleeping, is propelled by an assembly of strings that bounce, shriek and push the song to a rich, discordant climax...

Author: /time Magazine | Title: MUSIC: FIRST-CLASS FLYERS | 10/21/1996 | See Source »

...after 15 difficult and profoundly engaging years living together in London and Connecticut. Yet according to Bloom, nothing prepared her for the mental collapse she says Roth suffered in the early 1990s and for the subsequent psychological torture he inflicted on her--a shattering breakdown that is the climax of Bloom's new memoir, Leaving a Doll's House (Little, Brown; 272 pages...

Author: /time Magazine | Title: BOOKS: CLAIRE BLOOM'S COMPLAINT | 9/30/1996 | See Source »

...very long. Towards the end, as the techniques that were once startling--head-banging, repetition, shouting--became familiar, I found myself longing for something genuinely risky--a violent gesture, or a vulnerable one, anything that would seem like a payoff to all the build-up. Instead, the show's climax is a laughable quotation from Mahler's Fifth Symphony, as if the famous fanfare could create drama in an essentially static piece...

Author: By Adam Kirsch, | Title: Prayers to Broken Tin Foil | 9/19/1996 | See Source »

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