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...usual, King's prose is fast, simple and sloppy. He has young Beaumont in 1960 use the current slang "get off on," meaning enjoy, and lets an elderly English professor say he will "loan" the hero a car (old pedants say "lend"). The climax has the brutish Stark absurdly trying to write another novel to keep his ectoplasm from sloughing away in rivulets of goo. Characterization is perfunctory, with an odd exception: Beaumont's eight- month-old twin babies are vividly and charmingly described. For King fans this may be the sort of thing that sustains the myth that...

Author: /time Magazine | Title: Books: Slice Of Death | 11/20/1989 | See Source »

...leak. When a neighbor driving them to a nearby shelter gets lost, the little boy runs away and winds up at the bottom of a ravine. Corky comes to the rescue, lowering himself on a rope and climbing out with the boy on his back in a climax worthy of The Great Escape...

Author: /time Magazine | Title: Video: Reflections of A Real Grouch | 10/16/1989 | See Source »

...floors of the museum through Jan. 16. This will be the array of Cubist evidence at which future scholars will look back. Curator William Rubin, director emeritus of MOMA's department of painting and sculpture, has called in all his markers. "Picasso and Braque" is his retirement aria, the climax of a great career in modernist scholarship...

Author: /time Magazine | Title: Art: The Adam and Eve of Modernism | 10/2/1989 | See Source »

...still prominent jurists. Expand the list of victims to include Washington Post editor Ben Bradlee and Los Angeles police chief Daryl Gates, both slain, and Amy Carter, kidnaped and held briefly as a warning to authorities who might get tough with the narco-barons. And then the grand climax: the 1987 assassination of George Bush, murdered at a campaign rally just as he had become the favorite to be elected President the following year...

Author: /time Magazine | Title: Going Too Far | 9/4/1989 | See Source »

...they sure could have called it Weird. After all, the main characters in this bonkers biopic are two people John Belushi never met during his brief, explosive life: Bob Woodward, the actor's biographer, and John Belushi dead. You have to cherish the daredevil idiocy of a movie whose climax is a parody of Woodward's legendary deathbed chat with CIA director William Casey. The journalist visits the hotel room where Belushi took his fatal overdose and hallucinates an interview with the dying star. "Breathe for me, Woodward!" the samurai comic cries. And it's hard to hate a docudrama...

Author: /time Magazine | Title: Cinema: Saturday Night Dead | 8/28/1989 | See Source »

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