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...Mungiu also plays games with the audience. As the story unspools he plants three tantalizing details that point it toward a melodramatic climax. Otilia filches a switchblade from the abortionist's case; she learns where Bebe's mother lives; and she comes into possession of his I.D. card, which presumably reveals his address. Will Otilia track Bebe down for the punishment he may deserve? Will all three principals survive their assignation? We're not telling. Suffice to say that what's done with these plot elements is as surprising as the rest of this gripping, satisfying film...

Author: /time Magazine | Title: Three Twisty Delights | 5/18/2007 | See Source »

...like this one. As a Cannes critic, I accept their right to undercut expectations; I hereby validate their modernist parking ticket. But there's enough of a movie kid left in me that I'd like to see this almost-great effort not go bust at the end, but climax in a great big bloody BOOM...

Author: /time Magazine | Title: Three Twisty Delights | 5/18/2007 | See Source »

...they all stood proud under the banner of racial unity. When Milky begins to talk about his extended family, Combo's eyes well-up. Half-ashamed, half-envious of what he misses most, Combo is poised on a knife-edge before the film turns toward its hideous, and inevitable, climax...

Author: /time Magazine | Title: In Defense of Skinheads | 5/3/2007 | See Source »

...first two years Yeltsin got quite far indeed. With Gorbachev's backing, he rose to the (nonvoting) rank of candidate membership in the ruling-party Politburo in 1986, but when he tried to apply his reformist zeal to the top echelons he ran into serious trouble. The climax came in October 1987 with a speech to a closed meeting of the 300-member Central Committee that cost him his party positions and started him on the road that led to the 1991 White House confrontation. While no official text of the speech was published at the time, presumably because...

Author: /time Magazine | Title: Boris Yeltsin: The Man Atop the Tank | 4/23/2007 | See Source »

...recording of a woman’s voice advocating a road trip to Cassadaga, Fla., and other locations of spirituality and energy where one might find “vortexes” and eventual life change. In the background, an orchestra grates out dissonant tones that gradually climax and make way for Oberst’s lyrics. He delivers a tired outline of the modern condition: “Future Markets, Holy Wars…the freedom-fighting simulcast…the polar icecaps centrifuge…First snowman built at the end of June…fifteen-minute fame...

Author: By Juli Min, CONTRIBUTING WRITER | Title: Bright Eyes | 4/20/2007 | See Source »

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