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...gossip and power struggles, a powderkeg ready to explode, but doesn’t quite achieve that level of drama. A few of the stylistic touches seem strange, like the jarring jazzy music and lighting cue (by lighting designer Blase E. Ur ’07) during the climax of the play. All in all, though, the poise of the leading actors—who almost always manage to speak with the right balance of dandified aplomb and thoughtful sincerity—and the excellent support provided by characters like Cecil Graham (Zachary B. S. Sniderman...

Author: By Alexandra A Mushegian, CONTRIBUTING WRITER | Title: Cast Works Witticisms | 10/15/2006 | See Source »

Part two, “The Landlord’s Daughter,” explodes to a mad, kaleidoscopic organ climax as the stranded sailors rape an islander (“I’ll take no gold, miss / I’ll take no silver / I’ll take your sweet lips”). Then the song flows into “You’ll Not Feel the Drowning,” a soft, dark acoustic denouement...

Author: By Piotr C. Brzezinski, CRIMSON STAFF WRITER | Title: CD of the Week: The Decemberists, "The Crane Wife" | 10/12/2006 | See Source »

...previous credits include the incredibly banal Orlando action-flick, “Kingdom of Heaven.” Wahlberg, delivering his best work since the decade old “Boogie Nights,” has half of the film’s best lines.With more gore at its climax than even “Goodfellas” could stomach, the film makes it no secret to the viewer that Scorsese is having fun with this movie. No more period pieces or boring biographies—this shoot-em-up ganster pic is just what he and audiences needed.Leading...

Author: By Christopher C. Baker, CRIMSON STAFF WRITER | Title: The Departed | 10/5/2006 | See Source »

TIME: Matt, you and Leo aren't in the same frame until the climax of the movie. When you finally shot that scene, was there immense pressure to make it really...

Author: /time Magazine | Title: The Gang's All Here | 10/1/2006 | See Source »

...line in sight. Indeed, MP&HG ends with Arthur and his Knights cantering out of the Dark Ages into modern Britain, where the film sputters brazenly to its close. But a Broadway show moves irrevocably toward cues for applause, either at the end of a scene or for the climax of a song. The crowd at a musical expects to applaud, they want to applaud. And we already know that applause is something Idle enjoys hearing...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

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