Word: climaxing
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Dates: during 1990-1999
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...amazement can escalate into astonishment, that is the difference between Alegria and Mystere. From the black baby carriages at the beginning to the giant lumbering snail at the climax, director Franco Dragone peoples the stage with outlandish figures from a Bosch or Robert Wilson dreamscape. They have sad eyes or pinheads or faces on the backs of their heads, or they wander about pensively on stilt legs, passersby in the parade of life. They somnambulate while the acrobats somersault on a trampoline bent up at the ends, as others jump from one vertical pole to another using only leg power...
...biggest deficiency, and it is a serious one, is that Susa never quite delivers the musical climax that the material demands. It is quite canny to stage simultaneously the death of Valmont and his inamorata, Madame de Tourvel, aptly illustrating their bond beyond the grave. But here, and in the final scene, when Merteuil is snubbed, shunned and ruined by the pox, the music needs to be bolder, richer; the composer must make clear exactly how he feels about what has happened to his characters as, say, Berg does at the end of Wozzeck...
...derived from Beethoven's Ninth Symphony) seemed last at first. The tempo, however, reaped its reward in the development, instead of the usual disconnected and episodic character of that section. Haitink's interpretation was brisk and lively. He could only be faulted for his treatment of the piece's climax--the return of the chorale--which he sprinted through with inappropriate disinterest...
...able to produce the Ring cycle -- four long, mythic music dramas, based on old Norse and German sagas -- is assured of a sellout. Audiences travel across continents to submit themselves to the Ring's thrilling embrace. Among Wagner's many other theatrical gifts was his ability to build a climax at the end of every act, so that the audience is continually swept into a musical catharsis. Movie scores -- like those by John Williams for Star Wars and several Spielberg epics -- avidly try to duplicate the master's visceral thrills but always fall short...
Many abortion-rights supporters had hoped that the 1993 murder of Gunn by antiabortionist Michael Griffin would be unique -- and not only that but a turning point. As the apparent climax to a period of growing violence and obstructionism by hard-core clinic protesters, it became a catalyst for public disgust and government action. Within the next 15 months, two Supreme Court rulings, an act of Congress and dozens of state and local ordinances contributed to the impression that few places on earth could be much safer than an abortion clinic...