Word: clint
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Dates: during 1980-1989
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...happens, a pressing need. Director Clint Eastwood's vision of the jazz scene of the 1950s is touched, appropriately, by the austere romanticism of '50s existentialism. It is a circle of sheltering darkness, where the time is always 'round midnight, the mood is always accepting (it's not why you play but how you play that counts), and even agents and club owners are basically benign. Trouble is always an intruder from outside -- a narc obsessed with pinning bad raps on musicians, society ladies slumming, rock 'n' roll making rude noises on the periphery -- attacking the soul when...
...Clint Eastwood' s Bird finds the right blue notes for jazzman Charlie Parker. -- Sigourney Weaver illuminates Gorillas in the Mist...
...biographical films, soon to be released, will limn the twin toxicities of heroin and pop celebrity. Bird is Clint Eastwood's meditation on the pioneering jazzman junkie Charlie Parker; Wired adapts Bob Woodward's book about the life and drug-induced death of John Belushi. Both movies fit a familiar genre: a star is born, a star falls into the black hole of self- abuse, a star dies. But a third drug-and-alcohol drama, Clean and Sober, which opened last week to generous reviews, goes for the grit without the name- dropping glamour. It has eyes...
...people who usually play this role -- Clint Eastwood, Charles Bronson, Arnold Schwarzenegger -- seem to have been born to it, and often to very little else. What De Niro proves in Midnight Run is that it is a wonderfully actable part. What Willis proves in Die Hard is that it is not one you can ease through, especially if your preparation runs more to body building than to character building...
...fruitfully bananas as a rock star on the mainline to an early grave. And David Hunt, as a maniac film fancier named Harlan, provides the jolt of menace. Hunt can even terrify a film critic before slicing her to shreds -- the ultimate negative review. No such fun for Clint; he mainly stands there and simmers...