Word: clint
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...flesh-eating zombies? Monster movies reduce every conflict to black vs. white, good vs. evil--that's the point. But they're fantasies--they invoke the supernatural; they don't pretend that that's how it is in real life, the way John Wayne or Clint Eastwood movies do. You can't rehabilitate the alien or the zombies in Dawn-- you've got to blow them away. You don't have to blow away Vietnamese and have your audiences cheering it--unless, as in The Deer Hunter, you depict them as bloodthirsty aliens, which is a lie. (If anything...
...there is such a thing as a foolproof movie, Escape from Alcatraz must be it. Throw together Clint Eastwood, an airtight jailbreak plot, a first-rate storyteller like Director Don Siegel ... and what could possibly go wrong? As it happens, almost nothing. True, Escape from Alcatraz embraces virtually every cliché known to prison movies. Eastwood does not exactly break new ground as an actor either. Yet this film's familiarity ends by breeding affection rather than contempt. When an old-fashioned genre piece is executed with spirit, audiences can rediscover the simple, classic pleasures of moviegoing...
DIED. John D. Murchison, 57, who teamed with younger brother Clint, owner of the Dallas Cowboys, to parlay their father's multimillion-dollar oil fortune into a vast empire (publishing, real estate, insurance, others); of a heart attack; in Dallas. So complex were the Murchisons' holdings that John joked, "If we're not careful, we may find out we're suing ourselves...
...Samurai (Toshiro Mifune) who offers his services to each of two factions warring in village. After some reversals, he of course ends up helping the side that deserves his skills. The film served as a model for the first block-buster spaghetti western, Fistful of Dollars, which brought Clint Eastwood to fame...
...Clint Eastwood's movies make lots of money, but lately Burt Reynolds' offerings have been making even more. Perhaps this is why Eastwood has let loose with Every Which Way but Loose, a bald attempt to copy such Reynolds hits as Smokey and the Bandit and Hooper. It's a sorry enterprise. Though Eastwood has his talents, light comedy is not among them. With his granite glances and stony delivery, he'd be better off playing Hamlet than spinning jokes. When Eastwood tries to put on a happy face, it comes out as a snicker...