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WHITE HUNTER, BLACK HEART. In his portrayal of a director very like John Huston, Clint Eastwood subverts two rogue images: his own and that of a lovable auteur. He looks into the heart of maleness and finds equal parts arrogance and bluff...

Author: /time Magazine | Title: Critics' Voices: Oct. 1, 1990 | 10/1/1990 | See Source »

Directed by Clint Eastwood...

Author: /time Magazine | Title: Cinema: Elephant Man | 9/24/1990 | See Source »

...knowingly subverts the values implicit in his own image. It is a brave director who will guide him through a performance that satirizes the grand manner of one of recent movie history's most revered auteurs and, in the end, devastates the great man's macho posturings. Obviously, Clint Eastwood, who both plays John Wilson -- read that as John Huston -- and directs White Hunter, Black Heart, has more gumption than, say, Dirty Harry Callahan. After all, the short-fused San Francisco cop only had to face down outrageous criminals. Having committed this iconoclastic vision of Huston to film, Eastwood...

Author: /time Magazine | Title: Cinema: Elephant Man | 9/24/1990 | See Source »

...most of all to the unexamined ideals by which he has lived. It is a broken man, at least temporarily, who finally calls "Action!" for his film's first sequence, which is the last one in this compelling study of an archetypal character. Especially for those who have pegged Clint Eastwood too quickly as a masculine traditionalist, White Hunter, Black Heart is a movie to conjure with...

Author: /time Magazine | Title: Cinema: Elephant Man | 9/24/1990 | See Source »

...rogues' gallery of gangster films this fall, GoodFellas and Miller's Crossing blaze and strut their way out front. -- Clint Eastwood tackles the myth of filmmaker John Huston...

Author: /time Magazine | Title: Time Magazine Contents Page: Sep. 24, 1990 | 9/24/1990 | See Source »

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