Word: clips
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Dates: during 1980-1989
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...demonstration, some of the students began stoning cars; Israeli soldiers pushed the students back onto the campus. The Palestinians threw rocks at the Israelis, who responded with tear gas. An Israeli army spokesman said that the soldiers had to fire to "extricate themselves" from the crowd, but a television clip showed one soldier at the head of a squad approach a group of stone throwers and fire his gun, thereby setting off further clashes. One student was killed, and four were wounded. One Israeli soldier also was injured. In Ramallah the next day, Israeli troops broke...
Quick. Was that scene a Reagan re-election ad or a network news clip? Probably both. Reagan's managers have done such a seamless job of presenting their candidate this year that viewers often had trouble telling the paid political announcements from the evening news. Unlike Walter Mondale's campaign, Reagan's appearances were as meticulously staged as his commercials. Unlike Mondale, Reagan moved away from the traditional political spots-direct, issue oriented, slightly jarring-and embraced the sleek, atmospheric slow-dissolve appeals usually reserved for selling Coke and Almost Home cookies. The marketing of the President...
...industrial giant, is cruising at a 5% to 6% annual pace, while fast-rising South Korea, Singapore, Taiwan and Hong Kong are expanding at supercharged rates in the 7% to 10% range. Even China, which a decade ago was an economic backwater, is growing at a 9.5% clip...
...lyrics are from her new album, Emotion, and to promote it she made her first video, which debuted last week (with Kris Kristofferson, 45, as her unbilled costar) on Entertainment Tonight. Since what's new is neo and what's hot is retro, the 6-min. clip for the song Left in the Dark features La Streisand as a vampy songstress in an Edward Hopper-style nightclub and in a '50s film noir setting. For Streisand, to compose a slight variation on an old theme of hers, the way she is is never...
...Rick Rosenthal starts the film off slowly; the first quarter of the movie up to Palmer's arrival in Paris bears an embarrassing resemblance to three or four well-known television sitcoms. But Paris allows him to hit his stride, and move the movie along at a comfortably fast clip. The script by Jim Kouf and Jeff Greenwalt would not, by itself, bust any guts, but then again, with Conti on their side it does not have...