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...best thing about One for the Road may be that-flaws and all-it is even better to watch than listen to. Hi-fi meets scifi. Kink crazies can snap up a record, then clip the coupon that comes with it and send off for a video tape that shows the lads in full...

Author: /time Magazine | Title: Music: New Wrinkles from the Kinks | 9/1/1980 | See Source »

...even when he drops the subjective/objective technique, Schlondorff can be playfully brilliant. Following a sepia-toned clip of a Nazi rally comes a sequence in which Oskar's drumming turns the propaganda gathering into a waltzing Danube of Hitler Youth. As Oskar drums, the Nazi band picks up his waltz, a goose-stepping Nazi commandant adds a back-skip to his gait and a crowd of arms extended in "Seig Heils" begins to sway to the music. Aryan youths pair off to dance, leaving the SS confused and helpless...

Author: By David Frankel, | Title: The World According to Oskar | 4/28/1980 | See Source »

...that Bingham can't field. He led all starters last year with a .991 fielding percentage and is going at a .988 clip this season. Still, he says, "I'm very nervous in the field. There are other people I'd rather see handle the ball...

Author: By Jeffrey R. Toobin, | Title: Mark Bingham | 4/25/1980 | See Source »

Backing up the Navy pitching staff will be the midshipmen's nearly-airtight infield, featuring the highly touted double play combination of Rich Seiler and Mike Mulliken. Seiler last year was fifth in the nation in hitting and is now batting at a .400 clip, while Mulliken has been rapping out hits to the tune of a .500 average...

Author: NO WRITER ATTRIBUTED | Title: Crimson Battles Tigers Today; Larson to Face Princeton Ace | 4/18/1980 | See Source »

...period music accompanies the brief snippets of antique footage--Basie, Turner, Young, Parker--that pepper the body of the film. These are truly gratifying. "We were doing rock and roll before anybody heard of it." Turner grumbles. We have all heard this sort of talk before, but a 1955 clip of Turner performing his "Shake, Rattle, and Roll" (later covered by Bill Haley, Chubby Checker, and Elvis himself) makes the connection between KansasCity swing and rock 'n' roll strikingly clean. When talk turns to Charlie Parker, the opening chorus of "Hot House" rumbles in the background, and Ricker treats...

Author: By Paul Davison, | Title: Kansas City Lovin' | 4/12/1980 | See Source »

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