Word: clips
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There are some artists out there who really do want to charge thousands of dollars for the right to use three or four lines of their song or show a five-second clip of their television show. I’m going to assume you are not one of these artists, but it’s still essential to be proactive. Bug your advisers and professors and make them ask about acquiring additional control over their publications. Read about Creative Commons and apply it everywhere it can be applied. At best, this careful forethought will open the floodgates...
Jones’ persuasive powers derive from his charisma and the history that his impressive list of accomplishments brings. As Oprah put it in a clip from a documentary shown at the Sanders Theatre event, “Quincy Jones on a bad day does more than most people do in a lifetime...
...identity will be subsumed by generalized, catch-all groupings. Multinarrativism can mean that we listen to stories from Mexico and Jordan and India only to interpret them as national opinions, ignoring the unique voice of the writer. Those who watch al Jazeera know all too well that an isolated clip from CNN can represent—or misrepresent—“America.” And just the same, when an op-ed from Beijing comes to represent China or the Lebanon-based Daily Star equals that entire country, we run the risk of ignoring individual voices...
...Press, and relentlessly in Diane Sawyer’s half-hour ABC interview of Dean and his wife). But, it turned out, the so-called shout itself wasn’t actually the manic, out-of-the-blue cry of an angry madman—closer inspection revealed the clip to be the product of a bad, misleading recording from a unidirectional microphone. Moreover, it was obvious in context that Dean’s litany of states was by no standard angry and was hardly out of place in front of a crowd of exhausted, disappointed—but still...
...scene, such as the three of them racing through the Louvre attempting to beat the time set in Bande à Part (Band Of Outsiders), or mimicking the classic streetwalk of Jean Seabourg in Breathless. These are obviously devices more geared to movie dorks like myself; if seeing a clip from Shock Corridor, Samuel Fuller’s 1963 opus, brings a smile of recognition to your lips, there are at least some pleasures in this flick...