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The one thing to commend Stone on this film is the film-making itself. He is stretching the boundaries of where the techniques of film-making has been taken. He employs unusual lighting, off-kilter camera angles, animation and special computer effects which distort the stills. He uses clips from...

Author: By G. WILLIAM Winborn, | Title: UNNATURAL STILLBORN KILLERS | 9/22/1994 | See Source »

To be shown in conjuction with "The Sex Perils of Paulette" will be Wishman's "Coming Attraction Trailers." This compilation of clips gives a good preface to many of these films. The violence, the sex, the graphic detail are all communicated in just a few seconds. Some of these clips...

Author: By G. WILLIAM Winborn, | Title: Harvard Welcomes the Uncrowned | 8/12/1994 | See Source »

Divided into 32 vignettes, the film borrows its structure from Gould's first and most famous recording of Bach's "Goldberg Variations." Through a series of interviews, animated clips and dramatized scenes from Gould's life, the film attempts to present a multi-faceted portrait of the pianist, but with...

Author: By Susan S. Lee, | Title: Girard and Feore Show the Infinite Varieties of Gould | 7/15/1994 | See Source »

A pro team can be a huge potential moneymaker no matter how much crying you hear about selfish players who demand salaries greater than the GNP of small nations. For companies in the entertainment business, the idea is to end up with at least one pro franchise, plus the cable...

Author: /time Magazine | Title: On the Money: Rooting for the Federal Expresses | 5/30/1994 | See Source »

Along with this dialogue, Muller intersperses clips from movies which influenced Riefenstahl and from the films in which she acted or directed. All of the film's contrasts ensure that the viewer never gets bored.

Author: By Emil J. Kiehne, | Title: It's a Wonderful, Horrible Life | 5/13/1994 | See Source »

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