Word: clive
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Dates: during 1920-1929
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...position, with Wellington showing that laziness is superior to mere lack of education, such as Napoleon's. These Germans, in invading the scientific world, find further that Darwin neglected his three R's shamefully, and in his naturalistic zeal set out on many punitive expeditions after cats. Nelson, Clive, and Goldsmith also find their names on the roll of the "know-nothings...
...public galleries in America to recognize the Post-Impressionists. The painting is an excellent example of the artist's ex-treme simplification of form, his strong outlines, his vivid blues, greens, oranges. Since the death of Renoir, Matisse has been generally ranked by advanced aesthetes of the Clive Bell school as the greatest painter of France-and therefore, of the world...
...sentimental impressionist in sculpture, according to the critics of insurgence. The great names of today were unknown a decade ago. The post-impressionist sculptors who have received the critical accolade ? men whose work would be incomprehensible to a Canova or a Thorwaldsen ? are Aristide Maillol, whom Clive Bell, English oracle of modernism, Sheldon Cheney and many others consider the greatest sculptor alive; Bourdelle and Gaudier, other Frenchmen; Jacob Epstein (an American, by the way) and Eric Gill, an Englishman; Grancusi, Bohemian carver of geometrical solids; Mestrovic, the Serbian; Archipenko...
...sooner have the Earthlings become acclimated to Utopia, than they yet about to conquer it in the good old fashioned way of Pizarro and Clive. Infectious diseases have been so long stamped out in Utopia by the Utopian scientists that the mere arrival of the Earthlings sets up an epidemic. They are put in quarantine?and promptly start ambushing their hosts as a beginning of making Utopia safe for Democracy. Only the subeditor, Mr. Barnstaple, dissents fro'm the Earthling program of conquest and is nearly shot as a traitor by his fellows as a result. He escapes from them...
Miss Willard played the heroine and played her capably, with great variety, sympathy, and skill. All the changing moods that the part demands were well differentiated and clearly brought, out. As Alfred, the friend, E. E. Clive appeared at his best. His work is always an outstanding feature of the Copley Players, and this week he was doing some of his best work, handling comedy with a certain and delightful ease and acumen, and turning from his comic scenes to those of pathos with skills. His final confession of the sacrifice he had made and of his own love...