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Sahara, directed by Breck Eisner and starring Matthew McConaughey, Steve Zahn, and Penélope Cruz, is based on one of a series of adventure novels written by Clive Cussler. The movie, like the books, follows the daring escapades of intrepid explorer Dirk Pitt (McConaughey), hunky marine adventurer...

Author: By Aleksandra S. Stankovic, CONTRIBUTING WRITER | Title: MOVIE REVIEW: Sahara | 4/8/2005 | See Source »

...character Dwight (Clive Owen) snaps this demand halfway through Frank Miller’s Sin City, preparing for the need to avoid bullets, outrun the police, and carry a whole lot of bodies. What he gets, though, is a tired jalopy with a tiny boot and a near-empty gas tank...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: Frank Miller's Sin City | 4/7/2005 | See Source »

...third tale features the fantastic Clive Owen as Dwight, yet another mentally-addled hero. Dwight is chasing crooked cop Jackie Boy, who is played with gleeful and gravelly-voiced creepiness by Benicio del Toro. Watching the two foils interact—Dwight as the shining protector of women, Jackie-boy as the sinister beater of barmaids—is another of the film’s great interplays. In a wry sequence guest-directed by Quentin Tarantino, the half-decapitated Jackie Boy taunts a hallucinating Dwight...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: Frank Miller's Sin City | 4/7/2005 | See Source »

...mission to save sweet Nancy (Jessica Alba) from a serial killer. Marv (Mickey Rourke, whose fallen-angel smile peeks through pounds of makeup) is an ex-con avenging the death of the one beautiful woman who ever did him a favor. Dwight (sturdy, haunted Clive Owen), on the lam from the law, protects the city's only honorable citizens: the hookers...

Author: /time Magazine | Title: Movies: Miller's Double Crossing | 3/27/2005 | See Source »

Anonymity on the Internet, and in particular gender anonymity on the Internet, has often been framed in a rather ugly light, marred as it is by media portrayals such as in the 2004 movie “Closer,” in which Clive Owen has a steamy romantic online rendezvous (can an online rendezvous really be steamy?) with someone he believes to be a woman, only to find out that it’s actually Jude Law. But this is anonymity nonetheless, and it is a powerful force in shaping who’s who on the net: when...

Author: By Matthew A. Gline, | Title: Gender-Free Zone | 3/1/2005 | See Source »

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