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...certainly not the first time a Cunningham piece has driven away an audience. In 1973, Clive Barnes remarked in a review in the New York Times that "there were so many deserters during the performance that one feels that the Cunningham company may have an amnesty problem facing it." The international press has grumbled at and applauded Cunningham for thirty-odd years. His efforts have been labelled "barefoot inconsequentiality," "a much-needed shot in the backside," "self-indulgent and camp," and "the principal creative force in America's modern dance." And Cunningham himself has been both scorned as a fraud...

Author: By Jurretta J. Heckscher, | Title: Dance on its Own Two Feet | 2/16/1978 | See Source »

Simon attacks not only players and plays but also fellow critics. This fall he accused the New York Times's Richard Eder of such "tergiversation, equivocation, doublethink and simultaneous talking out of both corners of his mouth as took his predecessor, Clive Barnes [now at the New York Post], years of painstaking practice to master." Colleagues are quick to pan Simon in return: "The Count Dracula of critics!" (Andrew Sarris, the Village Voice); "The Transylvanian vampire!" (Robert Brustein. Yale Drama School); "Personally offensive!" (Brendan Gill, The New Yorker). Many of Simon's critics, however, would not dispute...

Author: /time Magazine | Title: Press: Count Dracula Of Shubert Alley | 12/26/1977 | See Source »

With a single stroke of the pun, Clive Barnes once had the power to make or break a Broadway show. But the mighty dance-and-drama critic of the New York Times was stripped of his theater post last March. Enter Australian Press Baron Rupert Murdoch, who hired Barnes for his afternoon paper, the New York Post. Says the Oxford-educated Barnes: "Anyone attached to the New York Times has a kind of instant credibility and instant glamour. One wonders how much that is a cloak bestowed by the paper and how much...

Author: /time Magazine | Title: People, Dec. 5, 1977 | 12/5/1977 | See Source »

...blinding light or voice from heaven for Clive Staples Lewis; but his conversion on that picnic excursion had some of the impact of St. Paul's. The ruddy-faced writer's works were to lure innumerable souls into the precincts of belief. Fourteen years after his death at 64, this Pascal of the Space Age is the only author in English whose Christian writings combine intellectual stature with bestseller status...

Author: /time Magazine | Title: Religion: C.S. Lewis Goes Marching On | 12/5/1977 | See Source »

Commercial success for the minitube is also a life-or-death issue for Britain's Sinclair Radionics, which has shown itself adept at technology but unlucky at marketing. The firm was founded in 1962 to make and sell transistor radios developed by Clive Sinclair; he had soaked up a knowledge of electronics while working as a writer for a British company that specialized in technical manuals. By 1967 he had diversified into hi-fi systems. A few years later, he introduced the elegant, expensive and popular line of "Executive" calculators in Europe and the U.S. But in 1975 such...

Author: /time Magazine | Title: Business: The Littlest TV | 10/17/1977 | See Source »

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