Word: clive
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...black frustrations in Detroit auto plants and deplores the violent response of mindless black militants. WORLD discusses the Soviet Union's foreign-policy problems and finds that the Russians have very little room for maneuver. PRESS turns the writer-critic relationship completely around with a critical appraisal of Clive Barnes, dance and drama critic of the New York Times...
...Hogarth, the voluminous suit by Khrushchev's tailor. An excess of ergs twitches his head and fingers; the English hair and teeth, the cockney-of-the-walk intonations announce his presence in the densest lobby crush. In the past two years, the New York Times's Clive Barnes has become a public character, the most theatrical and prolific critic since the days of Alexander Woollcott...
Each recipient of an award will receive a grant covering his expenses and an honorarium of $600 "to compensate him for what he might otherwise have earned in a summer job." A four-member faculty selection committee under the chairmanship of John Clive, chairman of the History and Literature Department, will make the awards in mid-April. Three students, all members of the Institute's Student Advisory Committee, will serve as "consultants" to the faculty selection committee...
...BORROW from Clive Barnes: AIR is beautiful. In her program notes, Lindsay Ann Course writes, "Mixed media has yet to be legitimized. Once that is accomplished. I believe we will discover that this polygamy of motion, sound, and light is the basic art of the theatre." After seeing AIR, I believe her; for the parts of her program fit together so well that you are not aware of the mixing. The dance, the music, and the lighting are not three art forms but one-which men, out of their fondness for such things, have tried to tear apart, isolate...
...Perhaps Clive Barnes, the New York Times critic, states the ambivalence of Hair's score the best. In his various pieces about the show (It has opened three times, twice off-Broadway and, most recently, on Broadway last March), Barnes has said, "This is pop-pop, or commercial pop, with little aspirations to art--2 clever dilution of ... pop music. Fundamentally, it is pure Broadway--but Broadway 1969 rather than Broadway 1949. . . . It's noisy and cheerful conservatism is just right for an audience that might wince at Sgt. Pepper...