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Word: clive (lookup in dictionary) (lookup stats)
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...Wildwood Lodge, 11431 Forest Avenue, Clive (515) 222-9876 Comfort Suites at Living History Farms, 11167 Hickman Rd, Urbandale...

Author: /time Magazine | Title: A Political Tourist's Guide to Iowa | 11/19/2007 | See Source »

...musical family who still plays his father's Bechstein, Sacks has a strong empathy for the loss suffered by the many neurally damaged musicians who have found their way to him. Most touching of all is his tale of Clive Wearing, an English musician stricken in 1985 with a post-brain-infection amnesia so devastating that from one minute to the next he does not know who, where or what he is. At 69, just two things are unscathed in his inner life: a profound love for his wife and the ability to sing or play on the piano...

Author: /time Magazine | Title: Musicophilia: Song of Myself | 11/7/2007 | See Source »

...feet as she strolls toward her distinguished destiny. Meantime, spies and assassins scuttle through the corridors of power, the torture chambers are booked solid for the foreseeable future and Elizabeth (Cate Blanchett, playing a woman 17 years her senior) allows herself to be smitten by Raleigh (the internationally cuddlesome Clive Owen...

Author: /time Magazine | Title: Elizabeth's Lusterless Golden Age | 10/12/2007 | See Source »

...presence throughout, though the two leaders never meet face-to-face in the film. At home, Mary Queen of Scots (Samantha Morton of “In America”) hungrily eyes Elizabeth’s throne, while the arrival of a new figure in the court—Clive Owen’s Sir Walter Raleigh—stirs a rebellious and simultaneously vulnerable streak in Elizabeth. Most striking about the two films are their portrayals of Elizabeth as a breathing, feeling, and mortal being. Because history credits her reign as one of the most prosperous and glorious...

Author: By Jenny J. Lee, CONTRIBUTING WRITER | Title: Elizabeth: The Golden Age | 10/12/2007 | See Source »

...song, totaling $220,000. Though Ms. Thomas could have originally settled for much less, it seems the record companies’ strategy in the case of harshly punishing customers who step out of line is representative. The problem remains that most Americans already know the suffering of the Clive Davises of the world. They simply do not care. The record companies have been pouting for nearly a decade, nervously adjusting their ties in anticipation of a business model rendered rudderless by the advent of the Internet and new media. Most Americans still click “download” without...

Author: By The Crimson Staff | Title: Kazaa and Effect | 10/10/2007 | See Source »

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