Word: cloak
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...coat & suit business," said Adolph Schuman, "you either got to think or die." As president of San Francisco's Lilli Ann Corp., 43-year-old Cloak & Suiter Schuman has done plenty of thinking and thus his company is in the best of corporate health. Starting out 18 years ago with $2,000 borrowed from a bank, he has built up his clothing company (named after his wife) to the point where it grossed $7,100,000 last year, selling through 1,400 retail stores. Last week Schuman showed off the results of some of his thinking: he opened...
Despite his stellar role as a dupe, said Shaw, he had never joined the Communist Party. He was invited to join in 1946, assumed a "fantastic alias" to get into four "cloak & dagger" meetings, finally decided that he did not like the party's denial of free speech. Wiping tears from his eyes with both hands, Shaw said he had never meant to be disloyal. Said he: "I want to do everything I can, as I always have, to defend American institutions and American folkways. This country has been very kind to me. I started out as a minority...
...private Parliament, hand-picked last November after an embarrassingly bobbled election in which the returns ran so strongly against his candidates that he had to clamp on a three-day censorship and doctor the electoral count to wrap himself in the much-desired cloak of legality...
Ever since 1531, when, according to pious belief, the Virgin of Guadalupe appeared miraculously to a humble convert, Mexico has revered her. Her image, which emerged wondrously on the convert's poor cloak as a sign of the authenticity of his vision, is the country's most honored shrine. Last month, for a huge mural on Mexican theatrical history, ex-Communist Artist Diego Rivera solemnly sketched the famed comedian Cantinflas in his trademark-uniform, a shabby coat, and then drew the Virgin on the coat. "Sacrilege!" protested Mexico's devout, while Rivera, ignoring the uproar, diligently filled...
...mural, tracing the history of the theater in Mexico, showed Mexico's favorite comic, Cantinflas, in the cloak of Juan Diego - the 16th century Indian to whom, by pious belief, the Virgin of Guadalupe appeared. A Roman Catholic group protested that this time Rivera had "exceeded the human limits of tolerance" by painting a leering Cantinflas as the symbol of "those who have turned their backs on Christ." Nothing of the sort, replied Rivera, with unctuous glee; his Cantinflas symbolized "the opposition of Mexico's poverty-stricken peasant masses to the country's 9,000 millionaires...