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...Stanley Kubrick's A Clockwork Orange arrives on the scene, and the whole sticky business increases fourfold. Angry viewers write angry letters to bemused editors. Critics swoon in admiration or bellow in rage. Admittedly, A Clockwork Orange is at times a black and raw film; it has pushed violence about as far as is imaginable. But this still can't explain the sheer depth of resentment it has provoked...

Author: By Michael Levenson, | Title: Gimme Kubrick | 2/10/1972 | See Source »

Strolling disconsolately along London's Bond Street, Author Anthony Burgess was accosted by a friend who wanted to know why all the gloom. He was on his way, said Burgess, to dine with Producer-Director Stanley Kubrick and to see A Clockwork Orange. But why the long face, asked his friend, since the film -made from Burgess's 1962 novel of the same name-is the hit of the year? "Precisely," said Burgess. "I sold the screen rights long ago for a few hundred dollars...

Author: /time Magazine | Title: People, Jan. 17, 1972 | 1/17/1972 | See Source »

...CLOCKWORK ORANGE. Stanley Kubrick's demoniacal satire on a future of violence, brutal sex and demagogic politics...

Author: /time Magazine | Title: Cinema: 1971's Ten Best | 1/3/1972 | See Source »

Some movies are so inventive and powerful that they can be viewed again and again and each time yield up fresh illuminations. Stanley Kubrick's A Clockwork Orange is such a movie. Based on Anthony Burgess's 1963 novel of the same title, it is a merciless, demoniac satire of a near future terrorized by pathological teen-age toughs. When it opened last week, TIME Movie Critic Jay Cocks hailed it as "chillingly and often hilariously believable." Below, TIME'S art critic takes a further look at some of its aesthetic implications...

Author: /time Magazine | Title: Cinema: The D&233;cor of Tomorrow's Hell | 12/27/1971 | See Source »

...scientific experiment designed to rehabilitate him in two weeks. He submits to the Ludovico Technique, a behavioristic barrage of electric impulses and motion-picture film that cripples him with nausea at the mere thought of sex or violence. Thoroughly zapped, Alex is transformed into a kind of automaton, a clockwork orange, with no free will of his own. "As decent a lad as you would meet on a May morning!" gushes the Minister of the Interior (Anthony Sharp), who hopes to use Alex and the Ludovico Technique for political gain...

Author: /time Magazine | Title: Cinema: Kubrick: Degrees of Madness | 12/20/1971 | See Source »

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