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...marriage (her fourth), but can't quite escape her taste for sexy, damaged guys. In a film that moves with an easy, unforced pace, she settles in with a truck driver (played by director and co-writer Gavin O'Connor) who's good in bed but damply insistent on clockwork routine outside it. She has a job that matches her relationship--too much filing--and a daughter who fills her good-to-bursting heart...

Author: /time Magazine | Title: Cinema: Travels with Mommy | 11/22/1999 | See Source »

Fight Club tries to turn the same self-referential tricks as Smith's movies as an antidote to the violence of yuppie angst. The Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: hush, yuppies: would you like some whine with your cheese? | 10/15/1999 | See Source »

...Fight Club tries to turn the same self-referential tricks as Smith's movies as an antidote to the violence of yuppie angst. The Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Undoing Yuppiedom | 10/15/1999 | See Source »

...director Stanley Kubrick [NOTEBOOK, July 12], you noted that AI, a science-fiction film about artificial intelligence, might have been a better film for his finale than Eyes Wide Shut. But the fact that Kubrick had already made a trilogy of sci-fi flicks (Dr. Strangelove, 2001 and A Clockwork Orange) is probably why he opted to do something different. Kubrick virtually reinvented each genre in which he worked, whether it was a horror film like The Shining, an antiwar movie like Full Metal Jacket or a science-fiction feature. It is not surprising that he chose to make...

Author: /time Magazine | Title: Letters: Aug. 2, 1999 | 8/2/1999 | See Source »

Indeed, as in most of his films, his characters here are nothing more than props. And while such an approach worked wonders in 2001, A Clockwork Orange and Dr. Strangelove, here it's an unforgivable error. In Eyes Wide Shut, sex is so unerotic, so frigid, so unfulfilling that the story exists as a two-dimensional vision of perversion and nothing more...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Kubrick Shuts One Eye | 7/23/1999 | See Source »

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