Word: clooneyã
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...what’s good policy for investigative journalists can be awfully limiting for actors. “Good Night, and Good Luck” isn’t just fact-checked—it’s also often as dry as a folded sheet of newsprint. Even Clooney??s visuals are rigorously period-accurate. “It had to be in black and white, because no one really ever saw them in color,” Strathairn says...
Surprisingly, Strathairn says today’s ideological rifts were far from Clooney??s mind while the film was shot. “George didn’t want to make a political movie,” Strathairn maintains. “He doesn’t want to proselytize…His intention was not to polarize...
...infallible being. Who can say with any conviction that audiences will ever get in line for a digital actress—a starlet built of code that can’t attend movie premieres or David Letterman? We may hide Batman behind a mask, but we know its George Clooney??s amazing chin we really love...
...persona to match the film’s ambience, and lends a sentimentality to Ocean’s reasons for pulling the job. Danny wants to bring down Terry Benedict (Andy Garcia), the owner of all three casinos, because he’s dating Tess, and thanks to Clooney??s restraint, he’s surprisingly credible. It may be Ocean’s crew in name, but the individual characters, deliberately stereotyped, frequently steal scenes from the stars. Roberts—appearing uncharacteristically un-attractive—may have top-billing, but she is merely an ornament...
...time staring at each other wistfully; we know that the day is life-changing because of all the established magical moments of which it is comprised. The two share a festive chocolatey drink at a trendy café, Serendipity (which, incidentally, has already had its close-up in George Clooney??s One Fine Day); they stroll through Central Park, flocks of pigeons flapping out of their path; they ice-skate at night, snowflakes from a fake-snow-making-machine gently alighting upon their shoulders...