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...words & music might have been a mild shock to turn-of-the-century parishioners, but they were everyday business-and mighty good business-to Columbia Records, which leased old Adams Presbyterian five years ago for a recording studio. And for Rosemary Clooney, the long-legged blonde at the microphone, it was nothing more or less than her millions of fans have come to expect. Clooney and Columbia are partners in a booming U.S. business which can best be described as the manufacture and sale of the American ballad...

Author: /time Magazine | Title: Music: Girl in the Groove | 2/23/1953 | See Source »

...like $100 million worth of popular music. The product, boosted around the world by disk jockeys, record-players. TV, movies and old-fashioned stem-winding phonographs, is as ubiquitous as the American candy bar, the milkshake and the neon-lighted jukebox. And to ballad buyers, the voice of Rosemary Clooney, 24, has become as familiar as the voice of F.D.R. was to their parents...

Author: /time Magazine | Title: Music: Girl in the Groove | 2/23/1953 | See Source »

Putting It Across. By Metropolitan Opera standards, Songstress Clooney is as innocent of musical training as a rose-breasted grosbeak. She never bothered to learn to read notes ("I can tell whether the tune goes up or down, but I can't tell how far"). She disdains such long-hair affectations as warming up her voice ("What have I got to warm up?"). But in common with the new postwar generation of ballad vendors, including such contemporaries as Patti Page (Mercury), Peggy Lee (Decca), Joni James (M-G-M), Jo Stafford and Doris Day (both Columbia), Rosemary knows...

Author: /time Magazine | Title: Music: Girl in the Groove | 2/23/1953 | See Source »

Turks in the Well. The Clooney voice is known to the trade as both "barrelhouse" and blue, i.e., robust and fresh, with an undercurrent of seductiveness. It can spin out a slow tune with almost cello-like evenness, or take on a raucous bite in a fast rhythm. In a melancholy mood, it has a cinnamon flavor that tends to remind fans of happier days gone by-or soon to come. Moreover, thanks to the malocclusion of the Clooney jaw, her voice carries just a hint of a lisp. A word like "kiss" comes out a bit like "kish...

Author: /time Magazine | Title: Music: Girl in the Groove | 2/23/1953 | See Source »

Much of the ballad public, with a passion for oversimplification, prefers to believe that Rosemary Clooney was created overnight by one record, an Armenian-American calypso called Come On-a My House ("I'm gonna give-a you everything . . ."). Come On-a My House did make the public Clooney-conscious. Whipped up by Author William Saroyan and his cousin Ross Bagdasarian on a cross-country automobile junket more than ten years before-and purposely patterned after ancient Armenian folk songs-Come On-a went nowhere until Clooney's recording. Then it leaped from the ranks of the mere...

Author: /time Magazine | Title: Music: Girl in the Groove | 2/23/1953 | See Source »

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