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...wares on production and costume designers--outside the channels of paid product placement. "Companies send me all kinds of stuff," says Ritchie Kremer, a Hollywood prop master. Last summer a manufacturer offered Kremer a cool-looking pen, which the company hoped he would place in the hands of George Clooney, the star of Intolerable Cruelty, due in theaters in October. But the prototype didn't work, and the maker didn't have one that did. So Kremer used a pen from his prop stash instead...

Author: /time Magazine | Title: Marketing: Cue the Stapler! | 8/11/2003 | See Source »

Idea METROSEXUAL The suddenly ubiquitous term for the stylish, urban, hetero male who has no fear of salons, it's been applied to George Clooney and soccer star David Beckham, above

Author: /time Magazine | Title: In The Gay Old Summertime | 8/4/2003 | See Source »

...sleep. Luckily, the Weinstein brothers at Miramax/Dimension Films are happy for him to work whenever he wants. That's the luxury afforded by being cheap. Rodriguez made the first two Spy Kids movies for a mere $38 million each, even though they featured marquee idols Antonio Banderas and George Clooney, and they made nearly $200 million. "Robert does everything but act, although now he has his kids in the movie as well," observes Bob Weinstein with a gravelly laugh. "If I were Antonio Banderas, I'd be a little nervous...

Author: /time Magazine | Title: The Family Man | 7/28/2003 | See Source »

...Constant presence of hunky single buddy George Clooney...

Author: /time Magazine | Title: People: May 26, 2003 | 5/26/2003 | See Source »

Confessions has a pretty high exasperation quotient--partly built in (a practical joke is also an endurance test) and partly from its being at the tired end of a line of movies about weird or failed show-biz types (Ed Wood, Larry Flynt, Andy Kaufman, Bob Crane). But Clooney turns out to have a flair, puckish and audacious, for his new job. Learning from working with Steven Soderbergh and the Coen brothers and from watching the '70s thrillers of Alan J. Pakula (Klute, The Parallax View), Clooney figured out how to turn images and performances into menace and sizzle...

Author: /time Magazine | Title: What They Really Want is to Direct | 1/13/2003 | See Source »

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